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Killers of the Flower Moon. The Osage Murders and the Birth of the FBI by David Grann. – Made into a film by Martin Scorsese.
Killers of the Flower Moon. The Osage Murders and the Birth of the FBI by David Grann (2017) French title: La note américaine. Translated by Cyril Gay.
My sister-in-law and I had put on Killers of the Flower Moon by David Grann in our list of books for our yearlong readalong. And now that I’ve just read it, it’s all in the media everywhere since Martin Scorsese made it into a film with Leonardo di Caprio and Robert de Niro. After reading the book, I think it is the right director and the right cast for this film.
So, what’s it about? We’re here in an astonishing case of reality defeats fiction. With flying colors.
In the early 1970s, the Osage had been driven from their lands in Kansas onto a rocky, presumably worthless reservation in the northeastern Oklahoma, only to discover, decades later, that this land was sitting above some of the largest oil deposits in the United States. To obtain that oil, prospectors had to pay the Osage for leases and royalties. In the early twentieth century, each person on the tribal roll began receiving a quarterly check. The amount was initially for only a few dollars, but over time, as more oil was tapped, the dividends grew into the hundreds, then the thousands. And virtually, every year the payments increased, like the prairie creeks that join to form the wide, muddy Cimarron, until the tribe members had collectively accumulated millions and millions of dollars. (In 1923 alone, the tribe took in more than $30 million, the equivalent today of more than $400 million.) The Osage were considered the wealthiest people per capita in the world.
I’d never heard of the oil boom in the Osage reservation in Oklahoma in the 1920s.
The book opens with Mollie Burkhart’s story. She’s an Osage lady happily married to Ernest Burkhart, a white man. Burkhart is one of William Hale’s nephews and he works for him.
William Hale was a powerful businessman in the Osage county, an advocate for law and order, a friend of the local politicians and many considered him as a great benefactor of the Osage county. The kind who has his fingers in many pies and knows how to make and break politicians’, judges’ and sheriffs’ careers. Since all these people are elected by people who can be influenced, it’s better not to ruffle Hale’s feathers.
Mollie is on the tribe roll, which means that she receives checks from the oil royalties and that she’s rich. In May 21st, 1921, Mollie’s sister Anna disappears and her body is found murdered. Another Osage, Charles Whitehorn, is murdered at the same time. Of course, the authorities aren’t really bothered by the violent death of two Indians.
Mollie has money and she hires private investigators to discover who murdered her sister. As the number of murders increases and the local sheriffs don’t make any progress, the young and ambitious John Edgar Hoover sends his agent Tom White on location. He’s to hire a team and find out who the murdered is.
This investigation is the golden opportunity that Hoover was waiting for to push for the creation of what is now known as the FBI.
Killers of the Flower Moon is an outstanding book. David Grann writes the stunning story of the Osage murders in this county. He writes his book as if it were crime fiction, only this time, everything is true and documented.
David Grann is a talented journalist who did thorough research. The chapters are gripping and I was is totally caught into the investigation. Violence, corruption, greed, ambition, he shows an Oklahoma rotten to the core. White people would do anything to con the Indians, to put their hands on their lands, their money and deprive them of everything.
The other side of the book is about the birth of the FBI, the beginning of Hoover’s power in Washington. And we know how powerful he became and what he made of his agency.
I won’t tell much about what happened back then because I don’t want to spoil your reading. I knew nothing about this piece of American history and I was hooked from the first chapter.
I was is aware of all the research involved and yet it didn’t feel like an essay. The book includes pictures of the main protagonists and seeing their faces and their families made this awful story even more upsetting. The things we humans are able to do to other humans for money will never ceaze to amaze me.
Grann illustrates perfectly how his country was built on violence, greed and thirst for fame and money and how its institutions were faulty from the start. It also shows the constant actions aimed at destroying the native peoples of the country. It makes me wonder how close we are to the definition of crime against humanity.
I am very impatient to watch Scorsese’s film. Until it is released, I really, really recommend David Grann’s book as it is brilliant, informative, and suspenseful. A fascinating read.
The Underground Railroad by Colson Whitehead
The Underground Railroad by Colson Whitehead (2016) French title: Underground Railroad. Translated by Serge Chauvin
The Underground Railroad is my second Colson Whitehead, after the impressive Nickel Boys (2019) and I have Harlem Shuffle (2021) on the shelf for our Book Club.
The Underground Railroad is a historical novel set in pre-Civil War America. Cora, a sixteen-year-old enslaved girl flees from the plantation of her master in Georgia. Along with Caesar, another enslaved man, they reach a meeting point of the Underground Railroad that will lead her first to South Carolina and then to Indiana, via North Carolina and Tennessee.
We see the risks, the difficulties, the money owners put into finding the fugitives. Cora never feels safe, wherever she is. She has a hard time taking down the mental stronghold that her masters built in her head. She was raised on a land of fear, in a place where you didn’t know when you woke up if you’d be still alive and healthy at night. The success rate of actually leaving the plantation and starting over in a free state was extremely low.
The people who help with the Underground Railroad put their lives in danger too. Helping out enslaved people may have you killed. More progressive States had also hidden agendas. There’s no safe haven without a major change in white people’s mentality.
I read it while I was in South Carolina and visiting houses and plantations where enslaved people worked and were kept as well as the Old Slave Mart Museum. I know that everything that Colson Whitehead describes is accurate (unfortunately) and his book is very educational.
It’s written in a straightforward manner and gives the reader a glimpse of what being enslaved meant. I say “a glimpse” because we can’t pretend that we fully understand in our bodies and in our souls what bein enslaved entailed. It’s a good book for history classes and book clubs because it raises a lot of questions and fuels healthy discussion about slavery and its aftermath. It’s useful and we need this kind of books, like we need them on the Holocaust to spread information about what happened, put it at a human-sized scale and keep educating people. Over and over again.
As far as literature is concerned, I found that The Underground Railroad was a bit lacking. It doesn’t compare with a novel by Toni Morrison or with The Good Lord Bird by James McBride, but it’s not an issue because I have the feeling that Colson Whitehead’s goal was not literature but education.
I think that Handful in The Invention of Wings by Sue Monk Kidd was livelier than Cora. I was horrified by everything that Cora had to live through, her status as a sub-human and the way she was hunted like an animal. I was shocked by the atmosphere of hatred against black people and the ones who helped them and the idea of “great replacement” that starting seeping into white people’s way of thinking. This violence wasn’t as striking in The Invention of Wings, perhaps because the focus of the book was on Sarah Grimké.
It’s worth reading because it’s like watching a documentary with Cora as the main character. Just don’t expect a literary breakthrough in the style. It’s good, it’s efficient and it does the job. In these times of fake news and people re-arranging history and events for their own benefit and conscience of mind, The Underground Railroad is a necessary book, accessible to teenagers. The consequences of slavery in the USA still have an impact on the country nowadays and this book is a bridge to explain where it all began.
Incidentally, we were travelling back to Europe and happened to drive near Halifax, North Carolina. This city is officially tagged as a participant in the Underground Railroad. We stopped and paid a visit this old colonial town and its historical landmarks. It has a trail that leads to the spot of the Underground Railroad with explanations along the path.
They also had two books by Colson Whitehead in their Little Free Library on the street of the historic city center. We need all the help we can get to spread history and facts.
The Invention of Wings by Sue Monk Kidd – fascinating
The Invention of Wings by Sue Monk Kidd (2014) French title: L’invention des ailes.
Different roads converging into one led me to The Invention of Wings by Sue Monk Kidd.
My mom had raved upon her other book, The Secret Life of Bees, which pushed me to blindly download The Invention of Wings when it was on sale on the Kindle store, not knowing what it was about but willing to try her as a writer. Then, The Invention of Wings was on display in historic houses gift shops in Savannah and Charleston and I looked it up only to find out I already had it with me, on my Kindle. I’m like the girl scout of reading, always ready!
Sue Monk Kidd is a white writer from Charleston, South Carolina. I think it’s important to know that. The Invention of Wings is based upon the life of Sarah Moore Grimké (1792-1873), who was the daughter of a rich planter, attorney and judge in South Carolina. Her family belonged to the local aristocracy. She moved up North, became a Quaker, an abolitionist and the mother of the women’s suffrage movement. Yes, all that in one person. According to Wikipedia, growing up, Sarah Grimké was close to her enslaved servant Hetty and Sue Monk Kidd chose to write her novel with two voices, Sarah’s and Hetty’s.
We follow the lives of these two women from 1803 to 1838. Sarah was twelve when Hetty (Handful, according to the name her mother gave her) was gifted to her as her birthday gift. The author takes us through the struggles of Sarah’s life, how she was denied higher education because she was a woman, how she loathed slavery and how she found in Quaker faith a way to abolitionist and women activism. Sarah’s life is documented and I’m not going to write her biography when there’s a full Wikipedia page about her.
Sue Monk Kidd pictures a Sarah who is obviously very intelligent and who had to break a lot of barriers to be able to reach her potential, promote her ideas and be true to herself. Her life is awe-inspiring for all the courage she had to carry on and be a pioneer in not only one but two controversial fields: abolitionism and feminism.
How she became a feminist is easy to understand. She was denied the education and profession she craved for because she was female. Just thinking of all the wasted talents and repressed lives this entailed makes my head spin. I’ll never understand how humanity thought (and still thinks) that the world is a better place when you discard the brainpower of half of the population because they are female.
I admire Sarah for leading the way to feminism but what impresses me the most is her early fight for abolitionism.
Sarah was twelve when she started rebelling against the condition of enslaved people through Bible classes. She secretly taught Hetty how to read. (In South Carolina, it was unlawful to teach an enslaved person how to read since 1740.)
And I wonder: How, at only twelve, did she get the idea that slavery was wrong? It was 1804 in Charleston, South Carolina, in a family of planters.
This system was all she knew. How intelligent, intuitive and clear-headed she must have been to be able to step aside and think out of the box! She was so young, living such a sheltered and privileged life and yet she recognized her equals in black people and did not accept her society’s rules and vision of the world. I admire people who have this built-in foresight and who are able to see and think beyond their cultural background. It’s a special brand of intelligence.
When Sarah’s life is documented, Hetty’s isn’t. Sue Monk Kidd decided to show the resistance of enslaved people through Hetty and her mother Charlotte.
There’s mental resistance, remembering Africa and keeping a free space in their mind. There are little acts of rebellion and sabotages in the house and sneaking out of the house to have some free time. There’s active rebellion through church and political movements.
When Hetty speaks, Sue Mon Kidd has the opportunity to describe her work, her fears and all the rules that are applicable to enslaved people. Badges and authorizations to go out of the house. Controls on the streets. The working house as a punishment. Their worth written down as furniture in inventory ledgers. Their fate when their master dies and wills are read. Crushed dreams and a lack of future. Living in fear because their lives were not theirs to live.
Through Hetty’s voice, we discover the quotidian of an enslaved house servant. She lived with the Grimkés all her life with her mother Charlotte. I believe that the lay out of the Grimké house is based upon the Aiken-Rhett House in Charleston that I visited this summer. It was fresh in my mind when I read The Invention of Wings and I could picture Hetty and Charlotte’s whereabouts.
And what I see as Charlotte and Hetty’s tree.
The Invention of Wings is fascinating and educational. It is useful and its success is an opportunity to broadcast anti-racist causes and feminist causes. And sadly, we still need that kind of books to make people touch these important concepts with their fingertips. Fiction has the power to strike the reader’s empathy and characters embody cold concepts. Readers can relate to Sarah and Hetty and the horror of Hetty’s life becomes real and not a disembodied history chapter in a textbook.
Sue Monk Kidd’s book is useful, informative and well-executed. But it took me a while to really dive into it and feel invested in Sarah and Hetty’s lives. I started reading it without knowing that Sarah Grimké was a real person. She even seemed unrealistic to me at the beginning! The outline of book’s purpose was obvious and well, I wasn’t fully on board until Sarah left Charleston. But that’s not a big enough flaw to deter you from reading it if you haven’t.
A good companion book to this one is The Good Lord Bird by James McBride, based upon another abolitionist’s life, John Brown. The narration more unconventional and inspired and it’s written by a black author.
The Invention of Wings is a great book, a mix between biography and fiction. I appreciated the author’s afterword where she explains where and why she took some liberties with historical facts. It’s an excellent read but since it’s a novel with a clear educational purpose, it lacks this artistic flame that comes with mind-blowing literary fiction.
Theatre: The Life of Galileo by Bertold Brecht and The Crucible by Arthur Miller
November was German Lit Month and a total miss for me. I still couldn’t read Berlin Alexanderplatz and didn’t have time to read anything else. But! I finished this month on an excellent note. I saw the play Life of Galileo by Bertold Brecht.
As frequent readers of this blog know, I have a subscription to the Théâtre des Célestins, a majestic theatre in Lyon. This Life of Galileo (1938) was directed by Claudia Stavisky and Galileo was played by the great actor Philippe Torreton.
Brecht relates Galileo’s life from the moment he figures out that the Earth rotates around the sun and subsequently destroys Aristotle’s vision of the cosmos. The play shows a Galileo who unknowingly works on the foundation of modern physics by putting emphasis on experimenting and demonstrating concepts. We know what happened, the Catholic Church felt threatened. Religions in general work on the basis of certainty and “absolute thinking”. They know the truth, which automatically means that what they say can’t be challenged and those who don’t think the way they do are in the wrong. And here we have a man who preaches doubt as a way of thinking: challenge everything you take for granted, you might be surprised. It can’t go well for him. Religions also hold their sacred texts as the truth and sometimes take them literally. How to reconcile the Bible with science? That’s another question.
Brecht’s point is also that the Catholic Church is an instrument in the hands of princes and kings to keep the people under their yoke. Don’t worry if your life is miserable, you’ll go to heaven and eternal life is way longer than this earthly one, so why bother. If the Church has to acknowledge that the Aristotelian vision of the world was a mistake, then it means that what they taught was wrong. It will undermine their power on the little people’s minds.
Galileo also believed in the democratization of knowledge. He wrote books in Italian instead of Latin because he wanted them to be accessible. That was another thorn in the Church’s side. (Remember that the mass was in Latin until 1962.)
The holy trinity of theatre was met for Life of Galileo. First we have a brilliant text by Brecht, easy to follow and engrossing. Then we have Claudia Stavisky’s wonderful direction. She managed –again—to give a contemporary vibe to a text and inject liveliness in something that could have been a dry argument. (Read here how she turned a play by Corneille into a fun rom com without betraying the original text). And last but not least, we have Torreton’s exceptional acting skills. I’ve seen him several time on stage, like in I Take My Father on My Shoulders by Fabrice Melchiot or in Cyrano de Bergerac and I’m always in awe. He’s on stage as if he were in his living room. His speech seems effortless and for the public, it’s magic. We’re catapulted into the story because he sounds real, not staged.
For the anecdote, I noted two small anachronisms in the text: once a character mentions “cm3”, when the metric system came with the French Revolution and another time, a character says “Versailles” to refer or France but Louis XIV moved permanently in Versailles in 1682 and Galileo died in 1642.
So, if you’re in France and you see La vie de Galilée in your theatre, hurry up and buy tickets for this play, it even has subtitles in English. As far as German Lit Month is concerned, maybe I should stick to reading plays, I enjoy Brecht and Bernhard.
Earlier in the theatre season, I also saw The Crucible by Arthur Miller, directed by Emmanuel Demarcy-Mota. (In French, it’s translated as Les Sorcières de Salem). Miller wrote this play in 1953 as an allegory of McCarthyism. While I disliked the hysterical parts when the witches behave as if they were possessed, the process leading to the wrongful condemnation of twenty innocent people was implacable.
The play shows what happens when people are impervious to objective reasoning. It explores how quickly a community becomes suspicious and falls under the spell of people who are affirmative, who shout louder than the others and stir up our basest instincts.
It also pictures well how greed comes into the equation and how the witch hunt becomes an opportunity to put one’s hands on someone’s property. The play dissects the fight between Reason and Religious Belief. Here, Religion presses the buttons of intellectual laziness: nothing needs to be challenged and the scriptures are always right. Plus, you have to believe first and think after. The Crucible shows how difficult it is for sensible thinking to engage swords with objective reasoning. The mechanics of the trial is unstoppable and until the end, the spectator of the 21st century expects that the truth wins, that such a blatant mistake cannot be hold as the truth. But of course, that’s not what happened.
These two plays echo with our times. Social networks are an open agora where everyone’s opinion has the same weight. Opinions are the great influencers of our century. How long will real journalists and honest scientists have voices strong enough to be heard over the mayhem of unruly tweets and intellectual dishonesty? Seen from my European corner, the battle seems lost in the US. Sandwiched between an opinionated trash TV, a president who spouts nonsenses on a daily basis and loud fundamentalist Christians, is there room left for rational thinking? If Galileo came to visit the 21st century, wouldn’t he be distraught to see creationism taught in some schools?
But Europe is not out the woods either. These are hot topics here too. The fact that theatre directors pick these plays proves that it is a preoccupation. J’accuse, the film about the Dreyfus Affair made 0.8 million of entries in two weeks. (4th in the French box office) It is the breathtaking relation of the Dreyfus trial and the long way to his rehabilitation. It sure doesn’t show France into a favorable light, something Proust describes thoroughly under the apparent lightness of society life. Zola and Voltaire are pillars of our national Pantheon because they fought for someone trialed and condemned, not fort their acts but due to the biased functioning of the courts. Dreyfus for Zola, Calas for Voltaire. J’accuse coming out in 2019 is not a coincidence. We see extremists raise their ugly heads again and it is a cold reminder of what happens when they worm themselves into the workings of administrations.
It all comes down to safeguarding the concepts of the Age of Enlightenment.
The Good Lord Bird by James McBride – Historical, fun and thoughtprovoking
The Good Lord Bird by James McBride (2013) French title: L’oiseau du Bon Dieu. Translated by François Happe
The Good Lord Bird by James McBride relates the story of John Brown (1800-1859), an American abolitionist who was in favor of armed insurrection to abolish slavery. He’s responsible for the Pottawatomi Massacre in 1856 (Kansas) where his group killed five supporters of slavery. He took part in other battles and his last one was a raid against the federal armory at Harpers Ferry, Virginia. According to historians, Brown’s campaign and its press coverage were one of the sparks that kindled the Civil War.
The God Lord Bird relates Brown’s story from the moment he arrived in Kansas to the fiasco of Harpers Ferry. (Btw, this is also the story of Cloudsplitter by Russell Banks.) The narrator is The Onion, a young black boy who was kidnapped by Brown when he arrived in Kansas. Kidnapped is a neutral word here, because, depending on which side of slavery you stand, Henry was either “stolen” or “freed”.
This kidnapping happens at the beginning of the novel and McBride introduced an comic effect: Brown (The Old Man) thinks Henry is a girl.
“We have to move. Courageous friend, I will take you and your Henrietta to safety.” See, my true name is Henry Shackleford. But the Old Man heard Pa say “Henry ain’t a,” and took it to be “Henrietta,” which is how the Old Man’s mind worked. Whatever he believed, he believed. It didn’t matter to him whether it was really true or not. He just changed the truth till it fit him. He was a real white man. “
Minding only of his safety, Henry decides to go with the flow and be a girl if need be. He becomes Henrietta, nicknamed The Onion. Henry is our only narrator and of course, he’s unreliable. He’s about 10 when Brown takes him. His only experience with life is living in his master’s saloon with his father. He has no education, a limited vision of the world. But he tells the story from the slave’s standpoint and it’s a way for McBride to give a voice to the people Brown fought for.
We follow Onion from 1856 to 1859, during his nomadic life with Brown and some years in New Orleans. The Good Lord Bird is a multilayered book, tackling the historical aspects of Brown’s combat, Henry’s identity problems since he’s impersonating a girl, the issue of slavery and its impact on the psyche of black people.
I had never heard of John Brown before opening The Good Lord Bird on my kindle. This is one of our Book Club reads, I didn’t really investigate what it was about. Kindle book means no physical book and no glance at the blurb on the back cover. There’s no foreword, which doesn’t matter because I never read them before finishing a book as they tend to be full of spoilers. This explains why it took me getting to half of the book, when Brown meets Frederick Douglass to even think that this crazy religious Brown guy was real and that I was reading historical fiction.
John Brown is a controversial character and McBride depicts a complicated man, a zealot and a humanist, a violent man ready to sacrifice everything to his cause and yet be gentle with his family, a man who can camp in the harsh conditions of the west and hold his own in the salons of the east.
Brown’s drive comes from religious grounds. He’s a Christian zealot and his interpretation of the Bible tells him that black people should be free, that slavery is condemnable and should be abolished at all cost. He doesn’t do it for himself but because he thinks it’s right. There’s no personal gain for him in this combat, no political aim, no financial gain of any kind. He fights with words, like here:
I never knowed a man who could spout the Bible off better than Old John Brown. The Old Man straightened up, reared back, and throwed off half a dozen Bible verses right in the Reverend’s face, and when the Reverend tried to back-fire with a couple of his own, the Old Man drowned him out with half dozen more that was better than the first. Just mowed him down. The Rev was outgunned.
But doesn’t neglect more material weapons:
He had more weapons hanging off him than I ever seen one man carry: two heavy seven-shot pistols strapped to his thighs by leather—that was the first I ever saw such a thing. Plus a broadsword, a squirrel gun, a buckshot rifle, a buck knife, and a Sharps rifle. When he moved around, he rattled like a hardware store. He was an altogether fearsome sight.
In passing, enjoy McBride’s playful tone in his descriptions. Henry retells long prayer sessions before battles, when the men wait Brown out because when he starts preaching, there’s no stopping him or knowing when it will end. He’s passionate and gets carried away. He has absolutely no military planning skills. He can lead his men on the battlefield but he’s unable to manage the rest: food, camp, where to stop and when to go, taking weather conditions into consideration and having proper intelligence. And arriving to battle with an army in good conditions is a key success factor.
He’s also an idealist who doesn’t have field knowledge of the slaves’ mind and condition. He’s never lived in the South, he’s certain that slaves will rally his cause quickly because, who wouldn’t want to fight for their freedom, right? He has no clue about the mental barriers that decades of slavery have built in slaves’ minds. They are built out of fear, abuse and being somebody’s property.
Being a Negro means showing your best face to the white man every day. You know his wants, his needs, and watch him proper. But he don’t know your wants. He don’t know your needs or feelings or what’s inside you, for you ain’t equal to him in no measure. You just a nigger to him. A thing: like a dog or a shovel or a horse. Your needs and wants got no track, whether you is a girl or a boy, a woman or a man, or shy, or fat, or don’t eat biscuits, or can’t suffer the change of weather easily. What difference do it make? None to him, for you is living on the bottom rail.
Rallying to Brown is a huge risk. This is also why Henry doesn’t protest when Brown takes him for a girl. He keeps the lie alive even if he could easily prove otherwise. He thinks he’ll be safer as a girl.
I come to enjoy them talks, for even though I’d gotten used to living a lie—being a girl—it come to me this way: Being a Negro’s a lie, anyway. Nobody sees the real you. Nobody knows who you are inside. You just judged on what you are on the outside whatever your color. Mulatto, colored, black, it don’t matter. You just a Negro to the world.
He even enjoys some aspects of impersonating a girl: he doesn’t have to fight on the battle field, he only has ‘light’ chores to do and his condition protects him sometimes. People treat women differently, obviously. He experiences from inside how people treat you differently if they take you for a girl.
On the trail, Chase did all the talking. He talked about his Ma. Talked about his Pa. Talked about his kids. His wife was half cousin to his Pa and he talked about that. There weren’t nothing about himself he didn’t seem to want to talk about, which gived me another lesson on being a girl. Men will spill their guts about horses and their new boots and their dreams to a woman. But if you put ’em in a room and turn ’em loose on themselves, it’s all guns, spit, and tobacco.
In the end, it’s all about people’s preconceived notion about who you are according to the tag that is attached to your person. People see you as a woman, they treat you a certain way. People see you as a slave, they treat you another way. Onion will impersonate a woman during 17 years and then adolescence kicks in, it complicates his life. He’s attracted to women and cannot show or act on it. White people still don’t notice that he’s not a female, confirming that for them, blacks are all the same. Black people notice it right away and it’s harder for him to keep the lie with them.
The Good Lord Bird is an interesting book in many aspects and Henry’s voice is genuine, full of humor. He takes us among Brown’s followers and America in the 1850s comes to life under McBride’s pen. Henry made me laugh with his quirky ways. But sometimes I thought that the descriptions of their travelling were too long, too precise, even if they help today’s reader understand what it was to live in Kansas in that time. Just for the fun of it, this is what 1850s GPS was like:
“Circle ’round the cabin and move straight back into the woods, past the second birch tree beyond the corn field yonder,” he said. “You’ll find an old whiskey bottle stuck between two low branches on that tree. Follow the mouth of that bottle due north two miles, just the way the mouth is pointed. Keep the sun on your left shoulder. You’ll run into an old rock wall somebody built and left behind. Follow that wall to a camp.
Given my sense of direction, I’d have died the first time I went out alone, with this kind of instructions.
I really enjoyed Henry’s spoken tone because it sounded more genuine. I toyed with the idea of reading Cloudsplitters right after The Good Lord Bird, as I have it on the TBR. I flipped through the first pages, discovered that the story was told from Owen’s POV (Brown’s son) in a perfect English and it sounded fake after Henry. I’ll read it later, after McBride’s book has faded away in my memory.
My last question is ‘what does McBride think of John Brown’? I think he tried to show his good and bad sides but that in the end, he is grateful for this idealist and his fight. Brown is the Good Lord Bird of the title.
He reached into his shirt pocket and pulled out a Good Lord Bird feather. “The Good Lord Bird don’t run in a flock. He flies alone. You know why? He’s searching. Looking for the right tree. And when he sees that tree, that dead tree that’s taking all the nutrition and good things from the forest floor. He goes out and he gnaws at it, and he gnaws at it till that thing gets tired and falls down. And the dirt from it raises the other trees. It gives them good things to eat. It makes ’em strong. Gives ’em life. And the circle goes ’round.”
The Rose in the Yellow Bus by Eugène Ebodé – 50th anniversary of the death of Martin Luther King
The Rose in the Yellow Bus by Eugène Ebodé (2013) Original French title: La Rose dans le bus jaune. Not available in English.
In March, Télérama published an article about Memphis, fifty years after the assassination of Martin Luther King. It reminded me that I still had The Rose in the Yellow Bus by Eugène Ebodé on the shelf. Ebodé is a French-Cameroonian writer. He was born in 1962 in Douala, Cameroon and emigrated in France in 1982. The Rose in the Yellow Bus is a novel where Rosa Parks narrates her life, beginning with the boycott of the public buses in Montgomery, Alabama in December 1955. As we all know, segregation was the rule then, thanks to the Jim Crow laws; Rosa Parks refused to get up and give her seat to a white man in a public bus. She was arrested by the police. She was already an active militant for the civil rights with the NAACP (National Association for the Advancement of Colored People). They decided to use her example to go to court against the Jim Crow Laws and started the Montgomery Bus Boycott , a movement that was pivotal in the Civil Rights movement.
As a child, I had a subscription to a magazine called Astrapi, published by the Christian oriented publisher Bayard Presse. (It still exists) Astrapi used to publish the life of famous people in comic strips, from Sister Emmanuelle to Marilyn Monroe. I remember reading about Martin Luther King and the Montgomery Bus Boycott. I was in primary school and I remember vividly this comic strips: I was impressed by Martin Luther King, Rosa Parks and the participants to the boycott and I was horrified by the concept of segregation. No wonder Ebodé’s book caught my eye when I saw it in a bookshop.
But back to the novel. I’d say it’s good but flawed. It was a difficult mission from the start because it deals with history. Ebodé made three creative decisions to tell this story.
First, Rosa Parks is the narrator, which means that famous leaders like Martin Luther King are a bit in the shadow. It’s an important choice because we focus on the reasons for the boycott and forget the famous leaders. The movement aimed at helping people’s everyday life, to ensure that they had the rights they deserved as American citizens. Rosa Parks shows that this boycott wouldn’t have been a success without a massive participation of the black population. He needed to write from the perspective of someone who had experienced life among the working class.
Second, Ebodé created the character of Douglas White Junior, the white man Rosa Parks was summoned to leave her seat for. Ebodé made him a man with white skin but black origins. One of his ancestors was raped by her owner and his white genes reappeared in Douglas. He’s a complex character, hiding in a white neighborhood, feeling like a fraud among his white neighbors and an outsider in the black community. He’s in an absurd position that stems out of the absurd Jim Crow laws. The awakening of Douglas White is an interesting part of the novel even if I don’t think he was a likeable character.
And third, Ebodé added an African character into the mix. He’s named Manga Bell, a Cameroonian surname, a way for the writer to link his novel to his own history. Manga Bell is the link between Africa and the African-American community. He’s by their side as a representative of their African cousins but also as a reminder that African leaders sold their population to slave traders.
These two fictional characters gave new dimensions to the story, they allowed Ebodé to include these points of views in the story.
In my opinion the novel is flawed because it’s unbalanced. It took Ebodé a long time to introduce Rosa Parks, her husband and mother, her everyday life and to describe the starting point of the Montgomery Bus Boycott. The book is 365 pages long and we are page 235 when the first day of the boycott is over. It was interesting but I would have liked more details about the rest of the fight, the victory and the court battles. The boycott lasted 381 days! The 130 remaining pages cover the boycott from day 2 till the end and Rosa Parks’s life until she’s 81.
The other flaw is that Rosa Parks doesn’t sound American. The book is written in French and she should sound like she was translated from the American. For example, she relates how embarrassed she was to be the center of attention. Je rougissais comme un piment d’Espelette (I blushed and was as red an Espelette chili) I doubt that an American woman would use the Espelette chili comparison since it’s a chili from the South West of France. She’d say something like as red as a beetroot or in French rouge comme une tomate.
Other French expression play strange tricks to the author. At a Montgomery Improvement Association (MIA) meeting, someone mutters about Martin Luther King who was only 26 at the time: “Que veut donc nous imposer ce petit blanc-bec venu d’Atlanta?”. In English it becomes something like “What does this little greenhorn from Atlanta want to push us to do?” Except that in French, greenhorn is blanc-bec or literally white-beak, which is kind of ironic when talking about a black man.
Here’s another example: Ces gens-là ne comprennent que les coups de bâton et rien d’autre. A propos de bâton, tenez, à Baton Rouge… (p240) It’s impossible to translate into English because there’s a play-on-word on coup de bâton (blow with a stick) and the city of Baton Rouge, which means Red Stick for a French. It’s not something an American writer would write.
Comparisons, puns and metaphors betray the writer’s origin and cultural references. I’d already noticed that in Un homme accidentel by Philippe Besson. It’s something a writer should take into account when editing their novel. Perhaps I hear it because I switch from the French to the English language all the time and read American lit in translation. It annoyed me a bit, just as it annoyed me that in 1956, Douglas White eats some coussins de Lyon, sweets that come from Lyon but where invented in…1960. I suppose that it bothered me but other French readers might not mind.
What it worth reading? Yes. Definitely. It was interesting to see the launch of the Montgomery Bus Boycott, the people and the organization that was behind it. It’s important to read these books to remember where we come from and where we could go back to if we don’t pay enough attention to all the supremacist and extreme right movements that seem to resuscitate these last years.
It’s important to celebrate the 50th anniversary of the death of Martin Luther King and this is why this billet is published today. There’s an exhibition about him at the Lyon Public Library. I plan on taking my children there. Sometimes different unconnected events occur at the same time and happen to be related. I was reading Ebodé, spending time with Rosa Parks when Linda Brown, the little girl of the Brown vs Board of Education died on March 25th, 2018. It made the headlines on the radio here. Then The Origin of Others, a collection of conferences by Toni Morrison about racism was published in French. I read it right away. Meanwhile I had ordered The Kites by Romain Gary from Amazon US and decided to spread shipping costs and also bought Go Tell it to the Mountain by James Baldwin. All these unrelated and small events push the same theme in the forefront, demanding my attention. I hope I’ll have time to read the Baldwin soon. Some battles I thought were won seem to be coming back; the victories were fragile and we need to protect them.
Volkswagen Blues by Jacques Poulin – Road trip from Gaspé to San Francisco via the Oregon Trail
Volkswagen Blues by Jacques Poulin (1988) Original French title: Volkswagen Blues.
Volkswagen Blues caught my attention because it’s a road trip from Gaspé, Québec to San Francisco via the Oregon Trail and it goes through places I’ve been to.
The trip starts in Gaspé, the far east of Québec, a beautiful place where they have the phare du bout du monde, the lighthouse at land’s end. It’s the story of a forty-years-old man from Québec City who’s looking for this brother Théo and the last time he sent him a postcard, it was from Gaspé. He meets a young woman who’s half Native Canadian – half white. She’s from the Montagnais tribe and her Indian name is Pitsémine.
Both characters don’t have a real name. The man is a novelist whose nom de plume is Jack Waterman. He nicknames the girl La Grande Sauterelle, the Tall Grasshopper. The narration alternates between calling the man The man or Jack. The girl is mostly the girl or La Grande Sauterelle and sometimes Pitsémine. It’s hard to ignore that the man chose a penname composed of Jack (like Kerouac) and Waterman (a brand of fountain pens, an instrument for a writer). I couldn’t help thinking of Van Gogh with a brother named Théo.
Names are important details as they are both on an identity quest. Jack has a sort of mid-life crisis that pushes him to look for his estranged brother. They haven’t seen each other for twenty years. La Grande Sauterelle has trouble with her mixed origins. This common point brings them together and they start a tentative friendship.
Gaspé
La Grande Sauterelle decides to embark on Jack’s VW bus and be his companion on the road. She has a kitten as a pet, his bus is like a pet to him and their common pet project is to find Théo. The starting point of their trip is an old postcard from Théo with a quote by Jacques Cartier, the French explorer who arrived in Gaspé, discovered Canada and claimed it as French territory. Théo was fascinated by the exploration of territories in Canada and the United States.
From one place to the other, they follow Théo on his trip to San Francisco via the Oregon Trail. During their journey, they learn about the Indian tribes who used to live there, revisit the story of the conquest of the West. They’re on the trails of the pioneers and their wagons. They encounter historical places of this westward migration and its difficulties. They also explore the terrible fate of the Native Americans, the massacres of the Indian wars and the extermination of the bison and the Plains Indian populations.
It’s a trip that reflects on the construction of North America. In its way, it’s a colonization war and shows that violence is at the basis of the construction of Canada and the USA. Violence against Native Americans but also violence of the climate and living conditions of the pioneers. All this is explored in mild tones, Jacques Poulin is a soft writer. His characters are friends, lovers sometimes but sex is more a comfort than anything else. They’re both adrift, looking for their place in the world. Who is the man? Is he Jack the writer, Théo’s brother or someone else? La Grande Sauterelle explains how tough life was for her parents and herself. They were ostracized in both communities, being a mixed couple was a tough choice to live with.
Volkswagen Blues has the music of mild rain, a comforting sound. I wanted to know how their trip would end, to see who they’d meet on the way and to which places they’d go. Like I said at the beginning, I’ve been to several places they visit on their trip. Gaspé, Québec City, Chicago, St Louis, San Francisco. I’ve been to some of the museums they visit and this personal side added to my reading. I enjoyed being with Jack and La Grande Sauterelle, two persons who are very different but adjust to each other and live in harmony. They accept each other the way they are, without a question, without judgment. They slip into each other’s life and habits to live this road trip together.
This is a book I bought in Montreal, which explains why I have the Quebec edition and not the French one. All the dialogues in English speaking places are partly in English, without translation. I don’t know what choice the French publisher Actes Sud made. Did they translate the passages in footnotes? As always, French from Québec has a special ring to it with its own words like chum, its expressions like faire le pouce for to hitchhike, where a French speaker would say faire du stop. I love the word cuisinette for kitchenette and still don’t understand why they didn’t find another word for coke and just use the English term.
I had a very peaceful and pleasant literary trip with these two lost souls. Volkswagen Blues is a quirky book told in mild tones but it still presses on difficult issues, to try to diffuse the pain they left as a trail. This trip is like a massage to their soul, a way to ease the tension, work in the knots they carry with them in the hope that they are gone when the journey ends.
Other review by Leaves and Pages: Crossing America in search of something ultimately undefined.
Sorrow of the Earth by Eric Vuillard
Sorrow of the Earth by Eric Vuillard (2014) Original French title: Tristesse de la terre.
I read Sorrow of the Earth by Eric Vuillard in January and I’m trying to catch up with billets that are long overdue. I’m going to be bit lazy here and quote the Goodreads summary of this non-fiction book about Buffalo Bill and the end of the Indian wars in the US.
Buffalo Bill was the prince of show business. His spectacular Wild West shows were performed to packed houses across the world, holding audiences spellbound with their grand re-enactments of tales from the American frontier. For Bill gave the crowds something they’d never seen before: real-life Indians.
This astonishing work of historical re-imagining tells the little-known story of the Native Americans swallowed up by Buffalo Bill’s great entertainment machine. Of chief Sitting Bull, paraded in theatres to boos and catcalls for fifty dollars a week. Of a baby Lakota girl, found under her mother’s frozen body, adopted and displayed on the stage. Of the last few survivors of Wounded Knee, hired to act out the horrific massacre of their tribe as entertainment. And of Buffalo Bill Cody himself, hamming it to the last, even as it consumed him.
Told with beauty, compassion and anger, Sorrow of the Earth shows us tragedy turned into a circus act, history into sham, truth into a spectacle more powerful than reality itself. Could any of us turn away?
Well, I really have mixed feelings about this book. On the one hand, I liked its line of thoughts. Vuillard explains how Buffalo Bill exploited the vanquished Indians in his Wild West shows and how his rise was concomitant to the last massacres of Native Americans. He depicts how these shows became history and how this entertainment became the grounds of our collective memory of the American West. It created the imagery that would prepare the grounds for westerns. Vuillard tells how Buffalo Bill’s vision of history supplanted historical accuracy and became our reference.
This is a line of thought I find valuable and it’s a question worth exploring, especially this year. Entertainment penetrates so far in brains that there is no more room for accuracy or science.
On the other hand, I have a problem Vuillard’s book due to its tone and its style. He gives a passionate retelling of Buffalo Bill’s life and broadens his topic with a more general analysis of the consequences of Buffalo Bill’s shows. He doesn’t demonstrate his point of view or remains analytical. His style is not objective and it bothered me. I wondered whether everything was accurate or not, where his sources came from. He puts in perspective the birth of the entertainment industry but also questions the forces that make humans from all social classes enjoy this kind of entertainment. It’s an intriguing topic and I thought he didn’t go far enough in his analysis.
As the blurb mentions it, it’s told with compassion and anger. Are these feelings compatible with analytical thinking that is, in my opinion, required in historical non-fiction books? I don’t think so. What’s your opinion? Vuillard’s book was published in English by Pushkin Press in August 2016. Did you read it? If yes, what did you think about it? Did you read other books like this one that have historical content but are not exactly essays?
In the end, I found this book interesting but I wondered (and still wonder) if it was reliable.
The Great Depression. America 1927-1932 by Paul Claudel
The Great Depression. American. 1927-1932 by Paul Claudel. Original French title: La Crise.
Disclaimer: This is a billet (a chronicle) not an academic paper and I’m not an economist, just a reader.
As mentioned in my previous post about American paintings in the 1930s and literature, I bought a non-fiction book entitled La Crise. Amérique 1927-1932 by Paul Claudel.
Claudel (1868-1955) is known as a poet, a playwright. He was also a fervent Catholic and even tried to be a monk. He was the man who put his sister Camille in an asylum because she did not quite fit the image he had of what his sister should be. He didn’t want other people to know his sister had psychiatric issues. She spent 30 years there and he only came to visit a dozen times. How Christian of him. I love Camille Claudel’s sculptures and I’m not overly fond of Catholic thinking. I tried to give Claudel a chance by attending one of his plays, Partage de Midi and it’s one of my most painful memories in a theatre. I was bored to death. So, Paul Claudel as a man and as a writer doesn’t interest me much. But this book is by Claudel the ambassador of France in Washington from 1927 to 1933 and it’s an excerpt of the letters he sent to Aristide Briand, Minister of Foreign Affairs at the time.
In these memos, Claudel analyses the economic and political situation of the USA. Lots of memos are centered on economic issues. Some report political speeches by the president of the USA or decode the trends in America’s politics. Some memos were prepared by his staff, the economist E. Monick. Claudel was in Washington at the end of the Coolidge administration (1923-1929) and during the Hoover administration. The book ends in December 1932, before the administration of FD Roosevelt.
Claudel describes the economic growth of the years 1925-1928 and explains that the signs of the Great Depression were already there but masked by a general euphoria and a raise in speculation on the financial markets. I know that comparing is not reasoning but it’s difficult to put aside thoughts of the 2008 crisis and the last 7 years when you read Claudel’s notes.
These years are the beginning of a new era. More machines in factories mean mass production and high investment of advertising to sell all the products made in these factories. To facilitate consumption, instalment selling is widely promoted. At the time, there is no word in French for what we now call crédit à la consommation and Claudel uses the English word instalment. New industries thrive at the time, like the car industry and new products turn old markets upside down. Claudel writes that the fridge killed the old ice industry. The artificial silk for pantyhose disturbs the market of cotton stockings. It’s not called disruption but it looks like it.
Many jobs in factories disappear because machines replace workers. Claudel refers to this as technological unemployment. He explains how these blue collars start working in the service industry, mostly in services around cars (selling and maintaining) or in restaurants and hotels. But not all of them manage their reconversion in something else and Claudel muses that the adaptation of the workers to the new economy is at stake and not easy to tackle.
The rationalisation of production opens the road to the rationalisation of distribution. It’s the beginning of chain stores, started to gain on buying power and to decrease distribution costs.
After the Black Friday, Claudel dissects the reasons of the crash and the madness around borrowing money to buy securities in the hope to sell them with capital gain. The value of shares quoted on the market had nothing to do with the intrinsic value of the company they belonged to. The financial markets went crazy and Claudel depicts the beginning of investment trusts that seem to be the ancestors of investment funds. Claudel deplores the power of banks in the economy but states that Bankers are at the heart of the modern economic system. (Le banquier est la pièce centrale du système économique moderne)
At the beginning the Great Depression, Claudel repeatedly points out that Hoover remains unwisely optimistic about the consequences of the crisis. He sounds too mild and unable to rule the country.
The Hoover administration invests massively in the Farm Board to pilot the prices of wheat and other agricultural products. It doesn’t have the desired effects but the administration persists. I always wonder why prices of agricultural products are structurally too low for farmers to live upon their land.
| Il n’en reste pas moins vrai que l’aide aux fermiers demeure l’un des problèmes les plus urgents que la nouvelle administration devra s’efforcer de régler. (18 janvier 1929) | It is perfectly clear that helping the farmers remains one of the most urgent matters that the new administration will have to sort out. (January 18th, 1929) |
Today, the EU subsidizes agriculture. What does it mean for our civilization that we are ready to pay a lot of money for phones but won’t pay the people who grow our food a decent price for their production?
Claudel also describes a natural tendency of America to retreat and close their borders.
| L’Américain moyen n’aime pas les aventures à l’étranger, il en a une horreur instinctive. Le 9 octobre 1928 (p41) | The average American doesn’t like adventures abroad. They hate them instinctively. (October 9, 1928) |
Claudel explains how the Tariff ie the customs duty implemented by the American administration to protect their economy is actually detrimental to their business. And this statement still rings true.
| La situation est en effet celle-ci. Un peuple dont la population est six pour cent de la planète, détient cinquante-deux pour cent des ressources de la terre. Or ce peuple a pour idéal de fermer ses portes au reste de l’univers, de tout lui vendre et de ne rien lui acheter. C’est un défi à toutes les règles économiques, c’est aussi une contradiction presque grotesque à toutes les protestations pacifiques, à toutes les déclarations de goodwill que ses hommes d’Etat vont porter aux quatre coins des continents. (2 juin 1929). p91 | Here’s the situation. A people whose population represent six percent of the planet own fifty two percent of the earth’s resources. And this people’s ideal is to close their borders to the rest of the universe and to sell them everything without buying anything from them. It’s against all economic laws and it’s also in grotesque contradiction with all the pacific protestations, with all the declarations of goodwill that their representatives are carrying at all corners of all the continents. (June 2nd, 1929) |
Thought provoking, eh?
Claudel also describes the way of making politics. Lobbying was born in the lobby of the capitol building. In October 1929, the old lobbyist Joe Grundy brags about financing the last presidential election with his $500 000 dollar donation. That’s a huge sum for the time. Sounds like financing politics is not a new hobby for businessmen.
Again, comparing is not reasoning. I’m not saying that the current state of the world is similar to that time. I’m just saying that we always think that what we’re living is unique. Turning back to history gives us some perspective. I found this book eye-opening even if some sections with numbers about growths and full of production figures were a little dry at times. I would have liked more memos about the effect of the Great Depression on the American people.
I’ll end this post with this last quote because it brings hope and we’re going to need a lot of hope to turn the page of 2016.
| Je crois que l’esprit est comme l’air et la lumière, il n’y en aura jamais trop. Je crois que l’esprit n’est pas un de ces germes malfaisants dont tous les moyens sont bons pour arrêter la contagion. Je crois qu’un pays a finalement intérêt à laisser des choses belles et agréables éveiller la sensibilité et l’intelligence du plus grand nombre d’hommes et de femmes possibles et les provoquer non pas à une imitation servile mais à une émulation bienfaisante. 2 février 1929. p79/80 | I think that intelligence is like air and light, there can never be too much of it. I think that intelligence is not one of those evil germs that we must stop at any cost. I think that a country always ought to let beautiful and agreeable things to awaken the sensitivity and the intelligence of the largest number of men and women possible and to lead them, not to a servile imitation, but to a beneficial emulation. February 2nd, 1929. |
That’s something the 44th president of the United States could have quoted.
The Shape Shifter by Tony Hillerman
The Shape Shifter by Tony Hillerman (2006) French title: Le chagrin entre les fils. Translated by Pierre Bondil.
To be honest, I still have three books to review by the end of 2015 and out of the three, Hillerman’s book is the least appealing. This explains why my billet will be a short one.
Tony Hillerman (1925-2008) is an American writer of detective novels whose main characters are policemen from the Navajo Tribal Police Department, Joe Leaphorn and Jim Chee. His books are set in the Four Corners area, between Arizona and Utah.
In The Shape Shifter, Joe Leaphorn is now retired while Jim Chee has just gotten married and is back from his honeymoon. Leaphorn is a little bored, so when an old friend calls him about a Navajo blanket that had reappeared when everybody thought it had been destroyed in an arson, he jumps on the occasion to investigate further. Only it will be on his free time and without police backup.
It had been a long time since my last Tony Hillerman. His books are usually a pleasure to read because of the investigation but also because of all the information he gives about the Zuni, Hopi and Navajo cultures. This element is present in this opus as well. The blanket relates the Long Walk of the Navajo in 1864 when they were deported from Arizona to New Mexico.
Hillerman gives details about The Long Walk and its impact on the Navajo psyche. However, I failed to understand how it was serving the plot. It was interesting to read about but I thought it never quite meshed with the plot. It felt more like a pretext than a real plot enhancer.
I also thought that the plot was a little weak and it sounded to me that the writer was as tired as his character. It didn’t help that I wasn’t in awe with the translation; I don’t like recent books with notes explaining what a pick-up is. And let’s talk about the French title. It’s not the translation of the original title, which I understand because it’s hard to translate. However, the French title, Le chagrin entre les fils, is unfortunate because the word fils, when you read it, can be understood as threads or as sons. Until I heard about the blanket after I started to read the book, I was convinced the title meant the grief between the sons and not the grief between the threads. The title makes sense as the blanket was made to keep a trail of this painful Long Walk and to express grief in an artistic form. But how can you guess that when you’re in the bookshop?
Despite the reservations I have on this volume of the series, I still highly recommend Tony Hillerman as a writer to explore. Just pick his earlier books and if you have any interest at all in Native American culture, this is an enjoyable way to learn things. For example, in The Shape Shifter, he explains that in the Navajo culture, being called rich is not desirable at all, it’s almost an insult. What a clash with the culture of the white America. Hillerman was an honorary citizen of the Navajo reservation, so you can trust his explanations. He also has a fantastic sense of place. He has a way to describe nature in the Four Corners area that makes you want to pay a visit. Reading it after a trip there is even better because you have your own images of the places he describes.
I Married a Communist by Philip Roth – Part II
I Married a Communist by Philip Roth (1998) French title: J’ai épousé un communiste.
This is my second billet about I Married a Communist by Philip Roth. The first one focuses on the plot and can be read here. In this second post, I wanted to focus on Roth’s analysis of Communism as a political ideal and on his depiction of the McCarthy witch hunt of the 1950s. Roth focuses on the global picture, the ideals conveyed by Communism, the witch hunt and the political climate of the time but also reflects on how this witch hunt has been possible, that is to say by the cooperation of individuals.
He tells you capitalism is a dog-eat-dog system. What is life if not a dog-eat-dog system? This is a system that is in tune with life. And because it is, it works. Look, everything the Communists say about capitalism is true, and everything the capitalists say about Communism is true. The difference is, our system works because it’s based on the truth about people’s selfishness, and theirs doesn’t because it’s based on a fairy tale about people’s brotherhood. It’s such a crazy fairy tale they’ve got to take people and put them in Siberia in order to get them to believe it. In order to get them to believe in their brotherhood, they’ve got to control people’s every thought of shoot ‘em. And meanwhile in America, in Europe, the Communists go on with this fairy tale even when then know what is really there. Sure, for a while, you don’t know. But what don’t you know? You know human beings. So you know everything. You know that this fairy tale cannot be possible. If you are a very young man I suppose it’s okay. Twenty, twenty-one, twenty-two, okay. But after that? No reason that a person with an average intelligence can take this story, this fairy tale of Communism, and swallow it. ‘We will do something that will be wonderful…’ But we know what our brother is, don’t we? He’s a shit. And we know what our friend is, don’t we? He’s a semi-shit. And we are semi-shits. So how can it be wonderful? Not even cynicism, not even skepticism, just ordinary powers of human observation tell us that is not possible.
I have to say I quite agree with Roth. The idea of Communism is doomed from the start because it’s based on a fairy tale conception of mankind. I don’t believe in natural goodness and I haven’t in a long time. I remember sitting on a chair in my high school class, listening to the teacher explain Rousseau’s vision of the Good Savage and thinking it was utterly rubbish and unrealistic. Ingrained brotherhood and goodness do not lead to wars, rapes, pogroms, thefts and crime in general. And those have existed since the beginning of humanity.
Everything is clearer with hindsight but still, I never understood how a clever philosopher like Sartre became so engrossed with Communism and refused to see through the official curtain put in place by the USSR. Not only was the thinking flawed from the start because it’s based on an inaccurate assumption, but the implementation phase led to brutal dictatorship.
Roth depicts O’Day, the Communist who converted Ira to his “religion” as a zealot. He can be compared to a Christian zealot from the beginning of Christianism. He has an unbreakable faith in Communism, he’s ready to suffer for it and he’s ready to sacrifice any personal life for it. The older he gets, the more ascetic he becomes. He renounces to possessions, lives like an ermit and is only committed to preach Communism to the masses. That beats everything for a line of thinking that says that religion is the opium of the people.
Roth also describes the unhealthy climate of the McCarthy era and how the battle against Communism was a good opportunity or a good excuse to eliminate political opponents, gain political power, undermine liberal thinkers or simply get rid of a rival. Politicians used it as a leverage to win elections and be well positioned at the White House. Several examples are given in the book through the characters’ lives. Of course, Ira is a notable Communist and he was loud about his political ideas. He was bound to be in trouble for it considering the times. As a reader, I expected it. But it also touched other characters in an unexpected way. Murray, Ira’s brother was an unorthodox teacher (more of that in Post III) who pushed his students to think out of the box. He had the bad idea to go against his hierarchy. False accusations of Communism on top of his teaching methods were enough to put him out of a teaching job for a decade. He sold vacuum cleaners door to door for 10 years and his former dean was promoted. In his conversations with Murray, Nathan learns that he missed a grant to study abroad because his friendship with Ira was suspicious. He states:
I did not and could not have made crap of difference, and yet the zealotry to defeat Communism reached even me.
Roth wants to go further and endeavors to understand how common people denounced someone, how the American administration managed such an efficient witch hunt. He reflects on how betrayal became normal in those years.
To me it seems like more acts of personal betrayal were tellingly perpetrated in America in the decade after the war—say between ’46 and ’56—than in any other period of our history. This nasty thing that Eve Frame did was typical of lots of nasty things people did those years, either because they had to or because they felt they had to. Eve’s behavior fell within the routine informer practices of the era. When before had betrayal ever been so destigmatized and rewarded in this country? It was everywhere during those years, the accessible transgression, the permissible transgression that any American could commit. Not only does the pleasure of betrayal replace the prohibition, by you transgress without giving up your moral authority. You retain your purity at the same time as you are patriotically betraying—at the same time as you are realizing a satisfaction that verges on the sexual with its ambiguous components of pleasure and weakness, of aggression and shame: the satisfaction of undermining. Undermining sweethearts. Undermining rivals. Undermining friends. Betrayal is in the same zone of perverse and illicit and fragmented pleasure. An interesting, manipulative, underground type of pleasure in which there is much that a human being finds appealing.
I’m not sure about the comparison with sex but I think that Roth’s reflection on the personal motivation of people who were informers and betrayed acquaintances, family or colleagues quite interesting. It is applicable to other contexts as well, the Occupation in France, or the wide network of informers the Stasi had in the DDR. In a way, it brings us back to the first statement Roth makes: there is no such thing as natural brotherhood, otherwise this betrayal behavior wouldn’t have spread in the society as fast as the Spanish influenza.
I have not done extensive researches on the period. I can’t tell if Roth exaggerates or not and if the witch hunt infiltrated the society as much as he pictures it. I’m not here to say if he’s right or wrong. I do think that I Married a Communist tackles a difficult topic and Roth approaches it through different angles that give an interesting vision of it. He develops a consistent analysis of the phenomenon through a political, historical and philosophical perspective. And the multi-disciplinary approach is commendable in itself.
The Last Frontier by Howard Fast
The Last Frontier by Howard Fast 1941. French title: La denière frontière. (Translated by Catherine de Palaminy.)
This month our Book Club has selected The Last Frontier by Howard Fast. I’m on holiday, so I have time to read and I’m early to post about it but that’s the kind of book you want to share immediately. So the billet comes now. I have The Last Frontier in French, the translation dates back to 2014 and this title belongs to the Totem collection of publisher Gallmeister. I’ve mentioned them before, they have a gift to bring fantastic American writers to the French public.
The Last Frontier is what we call in French a récit. Howard Fast relates the Northern Cheyenne Exodus and the Fort Robinson Massacre. After the battle of Little Big Horn, the Cheyenne chiefs Dull Knife and Little Wolf surrendered at Fort Robinson in 1877. They expected to settle in the same reservation as the Sioux, according to the stipulation the Fort Laramie Treaty that they had both signed in 1868. Instead of that, they were sent at the reservation at Fort Reno, Oklahoma, about 1600 km south.
In this Southern Cheyenne reservation that was part of the Indian Territory, they suffered from malaria and hunger. The climate and the environment were so different from their native land that they decided to leave the reservation to go back to the Black Hills and the Powder River county in Montana, where they came from and where they belonged.
They left the Indian Territory in September 1878 and their expedition ended in April 1879. The Cheyenne were led by Dull Knife and Little Wolf. They had no right to leave the reservation and the US army were after them as soon as they started.
Howard Fast recounts their voyage. They managed to escape the army for a rather long time. They then split in two groups, one led by Dull Knife and the other led by Little Wolf. The group led by Dull Knife was killed at Fort Robinson after being imprisoned in inhuman conditions. The group led by Little Worlf reached Montana safely. Meanwhile, after the Fort Robinson massacre, Carl Schurz, Secretary of Interior had decided to let the second group stay in Montana. The Northern Cheyenne Indian Reservation will be created few years later.
When Fast’s book is released, we’re in 1941, one of the toughest years of WWII in Europe and it was before Pearl Harbor. The Cheyenne fought for their freedom and this resonated in him and in the public. His book was a success. In the afterword of the book, he explains how he investigated the events. He had read a paragraph about these events in 1939 and wanted to know more. He and his wife went to the Cheyenne reservation and met with old Cheyennes who had taken part to the flight. He also had help from academics in Oklahoma. We are lucky that Howard Fast and his wife started investigating this and collecting the story from the witnesses. In his introduction of the American edition of the book, Howard Fast explains how overwhelmed he and his wife were when they realized what had happened. What they learned there went against all they had been taught about the Plain Indian Wars.
All along the book, Fast talks about the Cheyenne with respect. He pictures that they only wanted to go home. He shows the decisions of the US Army to catch them. At some point, 12000 soldiers were chasing 300 Cheyennes. The picture isn’t pretty.
What strikes me is the deeply rooted belief of the Whites that they are superior because they are white and Christians. The Bureau of Indian Affairs in Oklahoma lacked supplies and couldn’t give the Indians enough food. They had to split the food and, as Quakers, favored the Indians who had become Christians. Our 300 Cheyennes weren’t ready to give up their faith, their culture, their roots. The Bureau of Indian Affairs wanted to change hunters into farmers in Oklahoma. This place isn’t the easiest to farm. How do you convince another people to abandon their culture when it’s so unappealing?
The reasoning of the Whites, the civilians and the military is based on the certitude that the Cheyennes are savages. They are barely humans. We’re in 1878 and it seemed to me we were at the same place as the Spanish during the Valladolid debate in 1550-1551. Three centuries later. “They are so different from us, are they even human?” That’s the question. The interests of the colonizing State is to deny their humanity. Then you can spoliate them, kill them, imprison them. It doesn’t matter, they’re not really human, are they? Of course, not everybody agrees with this line of thinking. You have people who are interested in this other civilization and see them as equals. But they are a minority and it’s not where the government is going.
Treaties signed with the Indians had not been enforced. I knew that. I didn’t know what legal reasoning justified it. I learned some of it here. The Fort Laramie treaty? It had been signed between two sovereign Nations and since the Cheyennes don’t have land anymore, they are no longer a sovereign Nation. So the treaty is conveniently void. Isn’t that easy? You push the Indians out of their land, they’re no longer a sovereign Nation and you can forget what you signed.
I liked that Howard Fast tried to be fair. The soldiers aren’t cruel per se; they are led by narrow minded and stubborn officers. They didn’t like to fight against civilians and several times, officers delayed attacks because they were uncomfortable with the idea of slaughtering people. This was not a regular war and they knew it. They postponed interventions and this delay helped the Cheyennes move further. Drastic decisions are easy to make in Washington DC or in forts when you’re not the one doing the dirty work. Field officers were reluctant to do the dirty job.
The complexity of the Cheyenne language certainly handicapped this tribe. It seems to be a beautiful and musical language but difficult to learn. Fast tried and failed and said that young Cheyennes educated in the English school system couldn’t speak Cheyenne to the elder. The army had trouble communicating with the Cheyennes; translators were scarce and not reliable. Subtle discussions were out of the question.
When you read Fast’s tale of the events, you realize that the Cheyennes only wanted to go north. They didn’t want to start a war; they wanted their freedom back. They were ready to die for it. It was better to die fighting than die of hunger and illness in the oven of the Oklahoma summer. They fought the soldiers to stay alive, not to start an uprising. When you read the Wikipedia articles about the same events, the underlying tone leads you into thinking that the Indians were more aggressive than what Fast describes. I tend to believe Howard Fast because his book is based upon research and because his tone is journalistic.
I wonder how the wars against Indians and the conquest of the western territories are taught in American schools. How much time is spent on their history? How is it described?
I bet that Africans and Asians have similar dreadful stories to tell about their French or English colonizers. In France, we learn nothing in school about the colonization of African or Asian territories. Suddenly we have all these colonies, they provide good soldiers during WWI and then in the 1960s, they become independent. We hear a bit more about Algeria and nothing else. It’s a big fat deafening silence. I don’t remember any famous French book showing the colonized side of the events or aiming at fairness.
At least, Howard Fast opened a trail to view these events with different eyes. It’s enlightening and also worth reading for the description of the land and rough life in the Plains.
I have one little complain. I wish Gallmeister had included a map in the book. It would have helped understanding the moves of the Indians and the troops.
How gold caused his ruin
Sutter’s Gold by Blaise Cendrars (1925) French title: L’or.
I started L’or by Blaise Cendrars because I wanted to read it before seeing its theatre version. More about that later. As the English title suggests, Cendrars’s famous novel is about the rise and fall of Johann August Suter. (1803-1880). I suppose American readers all know about him. Other readers may not.
Suter was German, living near the Swiss border. In 1834, indebted, he left his wife and children behind and ran away from home to America. He boarded on a ship that led him to New York, spent time in Saint-Louis and then reached Fort Vancouver via the Santa Fe Trail and the Oregon Trail.
He wanted to go to California but couldn’t go straight away. He first boarded a boat headed to Honolulu and another one going back to Yerba Buena, now San Francisco. California belonged to Mexico then and Suter managed to secure the property of land in Northern California. He got 48 827 acres on the banks of the Sacramento River. His dream was to be a rich landowner. He started building an estate named the New Helvetia and founded Fort Suter where Sacramento will be. His estate was growing and money was coming in. Everything looked good and he was on the verge of fulfilling his dream when one of his employees, James W Marshall discovered gold on the property in 1848.
The Gold Rush started there and then and thousands of gold diggers swooped down on New Helvetia like a swarm of locusts on an African field. Suter was ruined. He later on initiated a law suit to regain the property of his estate and be compensated for his losses. In vain.
The novel relates his story but also the history of California and they are closely linked. It explains the politics there, the growth of San Francisco after the Gold Rush and the madness of the Gold Rush. It pictures the Wild West as we imagine it, full of reckless people and where only the law of the strongest was enforced. The pictures are vivid and we need to remember that Cendrars wrote only 45 years after Suter died.
Cendrars writes about Suter in a series of short vignettes and chapters, describing the extraordinary destiny of this man. Not all the details are historically correct but it was well done. He spoke English, Spanish, French and German. He was adventurous. He left his home country, wasn’t afraid to die during the journey to California. He was driven, ambitious and a bit reckless. He was brilliant, dedicated and a hard worker. You needed guts and faith in yourself to be a pioneer in California in the 1840s. He also lived in troubled times: he had three different nationalities, German, Spanish and then American. He saw big and wasn’t afraid to go after what he wanted. Absolutely fascinating. And yet, something surprised me.
In a sense, Suter is a traditional man, almost a man of the past. For him, being successful and wealthy meant owning a large estate and farms. His ambition was to be like the aristocracy in Europe. He had the intelligence to run a large estate and build a rich farm out of the land he got from the Mexican governor. He had all the skills to succeed in this field but totally failed to adjust to the Gold Rush. He could have turned into a mine owner or exploit the gold vein on his property. He could have created retail stores to meet the needs of the gold diggers. They needed everything, he would have been successful. He could have founded a bank to trade and keep all that gold safe. But no, he was a peasant-soul and he couldn’t let go of his dream, of his image of success. And that was being the landlord of a large farm, have people working on his land and grow cereals, produce wine and own herds.
Keep that in mind for my next billet about Run River by Joan Didion, set on a ranch on the Sacramento River less than a hundred years after the foundation of the New Helvetia.
As I mentioned at the beginning of this billet, I saw a theatre version of the novel and it was extremely well done. The text was close to the book and Cendrars words were there on stage, not a rewriting of the novel. An actor was relating Suter’s story while a musician provided musical bridges between scenes/chapters. He only had a harmonica and played traditional cowboy tunes to let our imagination carry us to this place in California. Powerful. The narrator was excellent, living the text on scene, almost chanting some parts. It sounded like traditional stories told by the fire.
The reasons of wrath
The Grapes of Wrath by John Steinbeck 1939 French title: Les Raisins de la colère.
I finished The Grapes of Wrath a few weeks ago and I’ve been procrastinating. What can I write about such a classic? Being French, The Grapes of Wrath is not part of the usual high school curricular. So I have no bad memories of reading this in school and I started it without knowing much about the plot. I expected the exodus of Okies to California, that’s all.
A quick reminder of the plot, if someone needs it: the Joad family leaves Oklahoma during the Great Depression because their farm has been purchased by banks and farm labourers are replaced by tractors. They’re headed to California because they’ve seen leaflets saying that workers were wanted. When they leave, the family is composed of the grand-parents, Uncle John, the parents (Ma & Pa), Tom who came back on parole just in time, Noah, Al, Rose of Sharon, her young husband and the two youngest Joad children. The novel describes their journey to California via the Route 66, their arrival in the Californian Promised Land. They live in tents along the way, in shanty towns, in government camps. Steinbeck describes their perpetual quest for work, their hard working conditions and the lack of job security.
I found the descriptions of the Joads departure, their journey and living conditions quite moving. As they leave their farm and Oklahoma behind, the loss of their home dismantles their family. Their family dynamic changes too. Pa loses his authority because only his sons know how to operate the truck; Ma switches to survival mode and takes over when it comes to harsh decisions. Pa just has to tag along and I felt sad for him. There are plenty of bleak scenes in the book like the death of the grand-mother or the description of life in settlements. I couldn’t help thinking about the illegal shanty towns we have here near the city. I drive by them every day and I see the shabby cabins, the smoke of chimneys and I wonder how we accept to have humans living there. While reading The Grapes of Wrath, I kept wondering how the children would grow up since they couldn’t go to school while on the road. Joan Didion answered my question. In Run River, a character mentions that one of his schoolmates was two years older than him because she came from Oklahoma and missed two years of school because she was on the road with her family.
In French, The Grapes of Wrath is Les raisins de la colère. Change an i for an o in raisins (grapes) and you’ve got raisons instead of raisins and a perfectly apt title for this novel: The Reasons of Wrath. Steinbeck is on a mission with this book just like Zola has a purpose with the Rougon-Macquart series. Anyone who’s read both writers knows that their style is very different though. Zola’s style is lush and graphic. Steinbeck’s reflects the characters he’s defending and it appears in the construction of the novel. He alternates chapters between the Joad family’s story and generic chapters demonstrating that the Joads’ experience is not unique but the common lot of migrants. The language is always tainted with peasant vocabulary and grammar mistakes. We never change of point of view and Steinbeck makes sure we never forget that by writing prose in spoken language. It’s a great literary device but it’s difficult for non-natives. Passages like this…
The preacher stirred nervously. “You should of went too. You shouldn’t of broke up the fambly.’’ “I couldn’,’’ said Muley Graves. “Somepin jus’ wouldn’ let me.’’
Or this…
She was in a family way, too, an’ one night she gets a pain in her stomick, an’ she says, ‘You better go for a doctor.’ Well, John, he’s settin’ there, an’ he says, ‘You just got a stomickache. You et too much. Take a dose a pain killer. You crowd up ya stomick an’ ya get a stomickache,’ he says. Nex’ noon she’s outa her head, an’ she dies at about four in the afternoon.
…were difficult for me. It took me a lot of time to read the whole book but I survived.
Steinbeck’s political orientation becomes obvious in the description of the government camp where the Joads settle for a while. It’s clean, organised and with showers and toilets. It’s luxury compared to camping along the Road 66. It’s a settlement self-managed by the migrants. They take turn to do chores like cleaning the lavatories and they are organised in committees to rule the everyday life of the inhabitants. It sounds awfully like an idyllic version of a kolkhoz. Pardon my sarcastic mind but I almost heard Candide say All is for the best best in the best of possible worlds. The Grapes of Wrath is a condemnation of wild capitalism. Steinbeck violently criticises the banks and their greediness, the farmers’ organisations that push their adherents to exploit workers. He dissects the job market workings and shows how hunger and desperation lead workers to accept lower wages and thus enrich their employers and further destroy their chances to better pay. It’s a plea for more control and regulation from the authorities. Steinbeck’s points are valid. It bothers me that his points are still valid nowadays. Uncontrollable financial markets? Check. Dirt poor workers? Check. Job insecurity? Check. Agriculture ruled by stock markets? Check.
Steinbeck also pictures how the poor treatment of workers fosters despair and aims at proving that hopeless people have nothing to lose, that uprisings stem from this. The novel portrays the slow dehumanization of the migrants and the increasing hatred of the locals towards them. It pictures the difference between them and the Californians. I had to remind myself that this was the 1930s. The Joads live, behave and think like peasants of the 19thC. They’re far behind from the California of the 1930s described in Run River or even They Shoot Horse, Don’t They? The Californians see them as we Westerners look at the migrants running aground on our coasts. Think of Lampedusa.
The Grapes of Wrath is a masterpiece which should not be read in high school without the help of an excellent teacher. I barely scraped the depth of its contents here especially since I didn’t say much about the interactions between the characters and how the events affect their dreams and their chance at a future. The Grapes of Wrath analyses the historical events it pictures and examines the damages they did on small people. It also explores the feelings and thoughts of its characters. History has a face. Collateral damages of uncontrolled capitalism have a face. This face has a name, Tom Joad.
Steinbeck’s famous quote about Route 66
HIGHWAY 661 is the main migrant road. 66—the long concrete path across the country, waving gently up and down on the map, from Mississippi to Bakersfield—over the red lands and the gray lands, twisting up into the mountains, crossing the Divide and down into the bright and terrible desert, and across the desert to the mountains again, and into the rich California valleys. 66 is the path of a people in flight, refugees from dust and shrinking land, from the thunder of tractors and shrinking ownership, from the desert’s slow northward invasion, from the twisting winds that howl up out of Texas, from the floods that bring no richness to the land and steal what little richness is there. From all of these the people are in flight, and they come into 66 from the tributary side roads, from the wagon tracks and the rutted country roads. 66 is the mother road, the road of flight. Clarksville and Ozark and Van Buren and Fort Smith on 64, and there’s an end of Arkansas. And all the roads into Oklahoma City, 66 down from Tulsa, 270 up from McAlester. 81 from Wichita Falls south, from Enid north. Edmond, McLoud, Purcell. 66 out of Oklahoma City; El Reno and Clinton, going west on 66. Hydro, Elk City, and Texola; and there’s an end to Oklahoma. 66 across the Panhandle of Texas. Shamrock and McLean, Conway and Amarillo, the yellow. Wildorado and Vega and Boise, and there’s an end of Texas. Tucumcari and Santa Rosa and into the New Mexican mountains to Albuquerque, where the road comes down from Santa Fe. Then down the gorged Rio Grande to Los Lunas and west again on 66 to Gallup, and there’s the border of New Mexico. And now the high mountains. Holbrook and Winslow and Flagstaff in the high mountains of Arizona. Then the great plateau rolling like a ground swell. Ashfork and Kingman and stone mountains again, where water must be hauled and sold. Then out of the broken sun-rotted mountains of Arizona to the Colorado, with green reeds on its banks, and that’s the end of Arizona. There’s California just over the river, and a pretty town to start it. Needles, on the river. But the river is a stranger in this place. Up from Needles and over a burned range, and there’s the desert. And 66 goes on over the terrible desert, where the distance shimmers and the black center mountains hang unbearably in the distance. At last there’s Barstow, and more desert until at last the mountains rise up again, the good mountains, and 66 winds through them. Then suddenly a pass, and below the beautiful valley, below orchards and vineyards and little houses, and in the distance a city. And, oh, my God, it’s over.
Book Around the Corner 