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The Wind-Up Bird never sang to me.
The Wind-Up Bird Chronicles, by Haruki Murakami.
Opening a new book is like opening the door to a new country. Sometimes you fall into that country right from the first page and sometimes you need to walk down a several-pages hall to reach the country. And sometimes you think Daedalus designed the hall and you never reach the promised land. That’s what happened to me with the Wind-Up Bird Chronicles.
The main protagonist of the book is Toru Okada. He’s thirty years old, married six years to Kumiko and unemployed after he quit his job as an assistant in a law firm. He is at home and plays the househusband (I know the word doesn’t exist, what are Anglophone feminists doing?)
He is bored. His life changes as he answers an enigmatic phone call from an unknown woman who seems to know him well. Several new persons enter his life, each of them quite weird. His first-person narrative is interrupted by these people telling their story. A Sheerazade sort of effect.
I guess the purpose of the novel was to develop Taru Okada’s character and bring him somewhere. He’s questioning his life but as he’s as swift as a mollusc, I didn’t like him. I don’t have to like the hero to like a book, however, the hero must at least have some consistency. Taru Okada seems so empty! Maybe that’s where Murakami wanted to go. Maybe he needed an empty character to be the recipient of other people’s stories.
I will never know.
Unfortunately, I never entered into this book. I thought it well written but so insipid that I stopped reading it at page 275, after the beginning of the second part. I had 600 pages left to read and that was too much. I was taking it reluctantly, I had to read a few pages back to remember where I was before going on and I couldn’t remember the name of the hero. All bad signs that yell “stop reading”.
I’m disappointed, as I liked Kafka on the Shore. Maybe I’ll try another Murakami another time and I’ll try to find bloggers’ reviews before choosing it.
Now, I’m reading The Big Sleep, by Raymond Chandler and after a three-paragraphs threshold, he swallowed in his world. Promising.