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Lesser of Evils by Joe Flanagan – Great debut noir fiction

September 19, 2021 4 comments

Lesser Evils by Joe Flanagan (2016) French title: Un moindre mal. Translated by Janique Jouin-de Laurens.

Lesser Evils by Joe Flanagan is an excellent example of what neo-noir can be.

Cape Cod, 1957. Bill Warren is acting as chief of police in the small town of Barnstable. The appointed chief of police, Marvin Holland is in the hospital after a heart attack and might be forced into early retirement. Warren lives alone with his disabled son, Michael, nicknamed Little Mike. His alcoholic wife disappeared on them and never came back.

Several crimes happen at the same time in Cape Cod. Two boys are found dead and were sexually harassed. A man was beaten up after he failed to reimburse his due to loan sharks. The local police start investigating but the DA, Elliott Yost transfers the affair to the State police led by Dale Stasiak.

Warren is furious but he’s on shaking grounds with his team, the town council and the DA. He’s only acting as chief of police and he’s different from Chief Holland, less smarmy and ill-at-ease with the political side of the job. He doesn’t want to compromise and let things slide when it comes to prominent citizen.

The plot thickens as corruption, mafia, sexual predators are settling in otherwise quiet Cape Cod. Who is behind the boys’ murders? Is the Boston mafia trying to set up a place for illegal bets and loans? Who are the crooked cops and the honest ones? How deep in the mud are local politicians?

Warren keeps investigating, even if he’s not supposed to.

Lesser Evils is Joe Flanagan’s debut novel and it’s a tour de force. Everything sounds right and is perfectly orchestrated. The characters are deep enough, well-defined and come to life. The atmosphere of Cape Cod seems realistic –to me, at least, after all, I’ve never been there—and the author comes from the area.

The plot threads are masterfully developed and equally engaging. A lot of characters come into play but the reader is never lost among them and always knows how to place them. It’s suspenseful and I couldn’t put the put down.

Warren is an engaging character, with his kind relationship with his son and his fair dealings with his team. Like Johnson’s character Walt Longmire, Warren was a police officer in the army before joining the police force after the war. We are in a classic neo-noir with an investigator who is honest and is willing to jeopardize his career, put his life on the line to keep his integrity.

You can imagine this story in a black-and-white movie from the Hollywood Golden Age. I read it during the holidays and couldn’t put it down.

Highly recommended, especially since, in the Northern hemisphere, we’re heading towards cold Sundays with reading under a blanket.

See Marina’s review here. She’s a little less enthusiastic than me.

Between Two Worlds by Olivier Norek – Translation tragedy. This book needs an English translator.

September 11, 2021 11 comments

Between Two Worlds by Olivier Norek (2017) Translation Tragedy: not available in English. Original Franch title: Entre deux mondes.

Our first book for our new Book Club season was Entre deux mondes by Olivier Norek. The title’s literal translation is Between Two Worlds. Olivier Norek is a French crime fiction writer who was a humanitarian worker during the war in Yugoslavia and who is now a police officer is the tough department of Seine-Saint-Denis near Paris. For once, we have a French writer who is neither a journalist nor a teacher or an academic.

Entre deux mondes relates the story of Adam Sirkis, a Syrian who worked undercover in the Syrian police department but fought against Bashar al-Assad. The book starts when one of his accomplices has been caught and is now tortured.

It’s time for Adam to flee the country. He knew it was a risk and he’s ready for it. First, he sends his wife and daughter abroad, to Libya where they will hop on a boat towards the Italian coasts.

Early on, we know Nora and Maya won’t make it. Adam arrives in France in the Calais Jungle. It was a camp for migrants who repeatedly tried to go to UK (Youké, as it is spelled in the book)

Bastien Miller, a police lieutenant freshly transferred to the Calais police force, arrives in Calais at about the same time as Adam. His wife is depressed, his teenage daughter isn’t exactly happy with the move. His colleagues at the station introduce him to the particularities of their job in Calais.

As a murder occurs in the Jungle, Adam and Bastien collaborate.

Entre deux mondes is one of these vital books that make you understand a tricky political and humanitarian situation. Norek manages a tour-de-force with this book. There is no sugarcoating the situation. We encounter various migrants, each with their personal story and nothing is ever black or white.

We see the terrible job of the police force in Calais, caught between doing their duty, trying to protect the Calais population’s lives and at the same time hating the operations against the migrants that they have to do. Norek describes extremely well the controls performed by the police before trucks are allowed through The Channel Tunnel.

We see migrants with their despair and their hope for a better life in UK, where they may have family and often know a bit of the language. We see that they arrive from countries at war with deep scars that nobody sees in Europe because they have seen and lived through things that we cannot imagine. Through a child character, Kilani, we understand how wrong our perception can be, because we have a mental set of references that conditions how we grasp situations.

We see how life is organized in the Jungle, the violence, the closed camp for women to avoid rapes, the trafficking and the powerplays between ethnic groups and people.

There is no naïve optimism in Entre deux mondes. No bad or good people. Only humans who aspire to a better life and other who try to do their best and to not hate themselves for it. Norek shows that there is no obvious solution, no ready-made action plan and how helpless the police and humanitarians feel. Law enforcement characters sound real and the migrants aren’t only victims. Norek demonstrates that difficulties to communicate between people who don’t speak the same language may have dramatic consequences and that it doesn’t help with already complex circumstances.

We were all deeply moved and quite stunned by the book. It brings something to the world. Through a nuanced story, we have a raw picture of the migration Catch 22.

THIS BOOK NEEDS AN ENGLIH TRANSLATOR.

Another book about this topic : Eldorado by Laurent Gaudé. This one is available in English.

PS : As a bonus, Olivier Norek has lovely words for libraires and book bloggers in the Acknowledgment section of the book.

I’m thankful for… (…)

Libraires whose daily fight to exist is commendable. When we won’t have independant bookstores anymore, we’ll only have the phone book to read.

Bloggers. For small blogs, big ones, the ones full of emotions, the ones with mistakes, the heartfelt ones, the poetic ones. For bloggers who become more than mere acquaintances, those who write about any kind of authors, those whose walls hold up with TBRs, the ones who tell you when your book is bad and go to book fairs with you. You are the real chroniclers of crime fiction.

Money Shot by Christa Faust – Gripping and entertaining

September 8, 2021 8 comments

Money Shot by Christa Faust (2008) French title: Money Shot. Translated by Christophe Cuq.

Money Shot by Christa Faust is the first book featuring Angel Dare, a character I discovered in Choke Hold. When the book opens, the reader jumps right in the heart of action: Angel Dare is tied up in the trunk of a car.

Coming back from the dead isn’t as easy as they make it seem in the movies. In real life, it takes forever to do little things like pry open your eyes. You spend excruciating ages trying to bend you left middle finger down far enough to feel the rope around your wrists. Even longer figuring out that the cold hard thing poking you in the cheek is one of the handles of a pair of jumper cables. This is not the kind of action that makes for gripping cinema. Plus there are these long dull stretches where people in the audience would probably go take a piss or popcorn, since it looks as if nothing is happening and they figure maybe you really are dead after all. After a while, you start to wonder the same thing yourself. You also wonder what will happen if you throw up behind the oil rag duct-taped into you mouth or how long it will take for someone to notice you’re missing.

Angel Dare is a former porn star who retired and started Daring Angels, an agency for adult modeling. Her friend Sam called in a favor and asked her to do one more porn film with the new male rising star of the industry, Jesse Black. It turns out that it was a set-up as criminals had Sam’s wife.

Angel gets tortured and raped because the men believe she has information about Lia, a girl who came to Daring Angels. She had a briefcase and was looking for one of Angel’s models, Zandora Dior.

The setup is complete when the men kill Sam with Angel’s gun and throw her in a car’s trunk.

As you imagine, she manages to get out of the car and seek for help in the form of James Malloy, her employee in security. A former cop, Malloy works for her to ensure her models’ protection.

Bruised and battered, she’s now on the run from the criminals and the police. She wants revenge and wants to know what’s behind her kidnapping and Sam’s murder.

She and Malloy start investigating, even if it puts their lives in danger.

This is a fast and furious crime fiction book that I devoured. Fast paced, written with energy, it’s a wonderfully entertaining book. Angel is an excellent character, someone you connect with even if her life experience has nothing to do with your own. It’s also a glimpse at the porn industry, its workings and the human trafficking that can be behind it.

Highly recommended for fun, beach and public transport travelling.

As you can see, the French and English covers are quite different but each is in line with the publisher’s editorial line. It’s Gallmeister for France, and you’re familiar with their covers now and Hard Case Crime for the USA.

Black Water Rising by Attica Locke – multilayered crime fiction

August 16, 2021 17 comments

Dark Water Rising by Attica Locke (2009) French title: Marée noire. Translated into French by Clément Baude.

I have the French translation of Black Water Rising by Attica Locke because I bought my copy at Quais du Polar, the year she was at the festival for conferences and book signings. I have fond memories of that edition of the festival.

It took me several years to read her book but I’m really happy I put it on the TBR. When the book opens, Jay Porter, a struggling lawyer is organizing a mini cruise on the bayou near Houston for his wife’s birthday. Money is tight, Bernie is pregnant and the cruise is more a boat tour with on a friend of a friend’s boat than a glamourous cruise. Things go rather well until they hear a woman shout on the shore, as if she were fighting with someone. A gunshot, a splash and Jay dives into the dark water to save a white woman. Jay and Bernie are black, we’re in 1981 and getting mixed into white people’s business is risky. That’s why they ask her almost nothing and drop her at a police station and drive away.

We soon learn more about Jay, his past as a civil rights militant and his current caseload. He needs money and so far, his best shot is a hooker, Dana Moreland who got injured in a car accident while she was entertaining the local harbor commissioner who also wants to go into politics. No need to say he’s ready to find a settlement to hush things up. Jay wants to get the most out of him and keeps investigating to find a witness to present to the court to support his client’s version.

Meanwhile, Reverent Boykins is involved in the Longshoremen Strike. The white union and the black union had to merge and the ex-black side is trying to convince the ex-white side to go on strike with them for a better pay. Reverent Boykins is Jay’s stepfather, and his church helped Jay win his trial when he was pursued under false pretenses. The real reason was that the FBI wanted this militant of the civil rights out of the streets. Jay is indebted to Reverent Boykins and can’t refuse to help with the strike and be their lawyer.

This is Houston in 1981, the oil economy is thriving, the city expands quickly and oils companies own everything, literally or figuratively. The three issues, the murder, the hooker and the longshoremen strike have areas where they overlap. Jay, who lives in fear after his short stay in prison, won’t be able to hide and stay under the radar. His past as a militant is about to spill into his present and the unsolved issues demand attention.

Black Water Rising is an excellent thriller. The crime plot is gripping and it mixes artfully a blood crime with white collar criminality and racial questions. It gives a good vision of Houston at the time, a sprawling city at the mercy of oil magnates. Their only god is money and they infiltrate everything for their own profit. A puppet female mayor at the City Hall. A mole in the unions. Some help in federal agencies.

Besides Houston at its turning point, Black Water Rises also questions of the aftermath of the civil rights movement. What did its militants become? Jay is one of the first black lawyer in the area. His companions have settled down into a comfortable middle class or hold on to their glory days like Kwane Mackalvy. It’s a valid question: what do you do after living intense years like this? What’s your new normal? And how do you see the people who came after you, benefited from your combats and don’t even realize what your generation brought to them? (The same question applies to women who grew up after the great feminist battles).

Jay is at a crossroad. He’s going to be a father. He needs to make peace with his past. His practice needs to soar to support his family. He needs to stop living in fear.

But now: who murdered this man in the bayou? Will the unions start a strike that will paralyze Houston’s commercial port and impact oil sales? What will happen to Jay, who keeps being thrown on the frontline while he’d like to take care of his wife? I’m afraid you’ll have to read the book!

Very highly recommended.

The Lonely Witness by William Boyle – an excellent thriller set in Brooklyn

August 4, 2021 9 comments

The Lonely Witness by William Boyle (2018) French title: Le témoin solitaire. Translated by Simon Baril.

With The Lonely Witness, William Boyle wanted to write a noir crime fiction novel set in his hometown, Brooklyn.

Amy Falconetti lives in Gravesend, Brooklyn. She moved into this neighborhood with her ex-girlfriend Alessandra and stayed there after they broke up. Alessandra decided to go to Los Angeles to be an actress, left Amy behind and never looked back. At the time, Amy was a natural blonde, wore clothes from the 1940s, was a party girl and worked as bartender at the Seven Bar in Manhattan.

After Alessandra left, she changed of life. She rented a small basement apartment to Mr Pezzolanti who consider her as his daughter. She became a brunette, a teetotaler, started to wear conservative clothes and now lives the life of a mousy church attendant, bringing communion to the elderly in the parish. You can say her lifestyle took a 180° turn.

One day, when she visits Mrs Epifanio, the old lady tells her that her usual caretaker from the church, Diane, has been sick and was replaced by her son Vincent. She didn’t like his snooping in her bedroom and felt that he was up to no good. She felt threatened, even if he wasn’t openly menacing. Amy understand Mrs Epifanio’s disquiet when Vincent comes to Mrs Epifanio’s while she’s still there. She finds him shady too.

Amy starts following Vincent, out of curiosity and for the adrenaline rush. Of course, she tells herself it’s for Mrs Epifanio’s safety. The truth is that her old personality is resurfacing, leaving her mousy devout new self behind.

When she’s on the prowl, Vincent gets murdered right in front of her. Instead of calling 911 and the police, she lets Vincent die, retrieves the knife the murderer used to stab Vincent to death and flees from the scene.

Now she has a murderer on her trail since she has seen him long enough to be able to identify him. She doesn’t know his name but she knows his face. She’s no longer safe.

She starts investigating Vincent’s murder and she enjoys playing Nancy Drew. She secretly loves the thrill of the chase, poking around, asking questions about Vincent, his activities and his whereabouts.

Amy makes irrational and dangerous decisions; she’s like a superhero who changes of skin, mixing her old self and her new one, to create a third self. She’s not as wild as she used to be. She’s not as quiet as she wanted to be. She’s an ex-barmaid to tried the skin of a church spinster. None of these personalities are real or fit her.

Vincent’s murder pulled the trigger to another transformation and she’s now on a new life journey to understand what the next stage of her life will be.

But let’s not forget that The Lonely Witness is a thriller. Boyle explores Amy’s inner struggles but he also moves the plot forward quickly. It’s full of twists and turns and it was hard to put the book down.

Brooklyn is a character of the book. As I said in introduction, William Boyle wanted to write something set in Brooklyn and his growing up in the area shows in the descriptions of Amy’s surroundings. He knows the place and the reader can feel it. Amy walks a lot and it’s an opportunity to describe the buildings, the streets, the shops, the metro and its weird connections. All the characters are Italian-American, we’re in the neighborhood of the film Saturday Night Fever. I felt that I was in Brooklyn with her and wished I could go there too and feel the atmosphere of the area too.

Excellent pick by Gallmeister.

Losing Is a Question of Method by Santiago Gamboa – crime fiction in Bogota

July 24, 2021 7 comments

Losing Is a Question of Method by Santiago Gamboa (1997) French title: Perdre est une question de méthode. Translated into French by Anne-Marie Meunier.

J’ai perdu. J’ai toujours perdu. Ça ne m’irrite pas, ça ne m’inquiète pas. Perdre n’est qu’une question de méthode : Luis SepulvedaI lost. I’ve always lost. It doesn’t irritate me, it doesn’t bother me. Losing is only a question of method: Luis Sepulveda.

Santiago Gamboa is a Colombian writer who used to work as a journalist for RFI (Radio France International), which might explain why his books found a publisher in France but are not available in English.

Set in Bogota, Losing Is a Question of Method is a crime fiction novel. Victor Silanpa is a journalist at El Observador. When the book opens, the body of a crucified and drowned man is found by Lake Sisga. The police call Silanpa, he’s used to working with them and writing articles about crimes. Silanpa and the police captain Aristophanes Moya have a win-win working relationship. Silanpa unofficially helps with investigations in exchange for a good story for his newspaper.

At first, nobody knows who the dead man is. Silanpa is at the morgue when different families with a missing person come to see if the body is their relative’s. Comes Estupiñan. He thinks that the body is his brother’s but he’s not totally sure because they were estranged and had only recently rekindled their relationship.

Silanpa and Estupiñan associate to investigate the case and they will end up in the middle of an affair of corruption and business. We are reminded that we’re in Bogota when Estupiñan ensures that the case has nothing to do with the Narcos or the FARC before getting involved in the investigation.

The town council member Esquilache had his last campaign financed by a real estate corporation Grande Capitale. In return for their support, he promised they’d get their hands on the land by Lake Sisga to build a tourist resort. Esquilache also double-crossed them with the real estate company owned by Vargas Vicuña. Between them is Banagan, a lawyer who lives beyond his means, gambles, and has the debt that comes with this addiction. He’s all too willing to bend over backward to accommodate Estupiñan.

People fight over a piece of land and in the mix is a naturist club that owns a plot of land right in the middle of what would be the resort. The naturists want to stay where they are. The real estate moguls want their resort, and they all have the same problem: the title deed for these precious 400 hectares is missing. The last known owner was Pereira Antunez, a local businessman who was also a member of this naturist club. Who inherited of this plot of land?

Losing Is a Question of Method is an entertaining read. The crime plot is well put together, and the suspense kept me reading. Silanpa is an attaching character. There’s nothing in it for him if he solves the case, except a good story for the paper, and that’s why they back him up. Silanpa suffers from chronic hemorrhoids, he’s in the middle of a nasty breakup with his girlfriend Mónica but doesn’t hesitate to hook up with a bar escort, all this while carrying his melancholy.

I’ve seldom read a crime fiction book where the police are so useless. We know nothing of their investigation and only hear about Moya when he reads his speeches to his dieting group. He’s overweight, eats too much and needs lose a few kilos. Given how easily our two amateur sleuths manage to find clues and piece things together, the police seem even more incompetent.

I enjoyed Gamboa’s style. He has a great sense of humor…

– Au-dessus de la tête de ces bandits pend l’épée de Démosthène.
– Démosthène ? dit Silanpa. Vous voulez dire Damoclès ?
– C’est la même chose, chef. A notre époque, tout le monde est armé.
– Over these gangsters’ heads hangs Demosthenes’s sword.
– Demosthenes? Says Silanpa. You mean Damocles?
– It’s all the same, boss. Nowadays, everybody is armed.

And peppers his pages with little thoughts and comments.

La réalité lui devenait si exagérément hostile qu’il ne pouvait pas ne pas vouloir l’altérer. Mais cela n’a servi à rien, se dit-il en pensant à son Underwood. La réalité est la seule chose qu’on ne peut jamais semer. Elle vous rattrape toujours.Reality had become so excessively hostile to him that he could not not want to alter it. But it didn’t matter, he mused, thinking about his Underwood. Reality is the only thing one can never shake off. It always catches up on you.

He definitely won me over when one of his characters confesses that he loves comics, especially Mafalda.

The plot moves forward at a good pace and was suspenseful. I enjoyed the atmosphere of the town, the meetings in bars to catch up on the case since it was written pre-cell phones. I followed the story between Silanpa and Mónica and ended up thinking I’d like to see Silanpa in another book.

Unfortunately, Gamboa hasn’t been translated into English. This book is available in French, Italian, Portuguese, and Romanian. Apparently, we Latin languages stick together. 😊

This is a contribution to Stu’s Spanish Lit Month.

Quais du Polar 2021 – Day One

July 3, 2021 20 comments

For newcomers to my blog, Quais du Polar is a crime fiction festival set up in Lyon, France.

In 2020, the festival was cancelled due to the COVID-19 pandemic. In 2021, it was scheduled early in April but was postponed to July 2nd to 4th. Since we still have some restrictions, the organization was changed to avoid large gathering in closed spaces.

The former big bookstore set up in the Chamber of Commerce…

The giant bookstore in 2019

has been replaced by an outdoor book market along the banks of the Rhône river and you have to book a ticket online to attend a conference.

The conferences are still organized at the City Hall, the Chamber of Commerce but new places have been added to the mix. Tomorrow, I’m going on a literary cruise on the Saône river.

I had two reservations for today and I have two for tomorrow. I’m happy with the two events I attended.

This morning, I went to the Paradis Noirs panel. (Black Paradise) The authors were David Vann (USA), Susanna Crossman (UK and France. I wish my English were as good as her French), Patrice Guirao (France) and Piergiorgio Pulixi (Italy).

These four writers have written a crime fiction novel set up in a paradisiac place, namely Sardinia, Tahiti, Komodo Island in Indonesia and an island in Brittany. The journalist asked relevant questions, monitored the speaking time properly and ideas bounced between the writers, showing the similarities between the books. The authors had enough time to share their ideas and obviously enjoyed interacting with each other. I was intrigued by their books:

  • Komodo by David Vann,
  • Les Disparus de Pukatapu by Patrice Guirao
  • L’île sombre by Susanna Crossman
  • L’île des âmes by Piergiorgio Pulixi

I love reading crime fiction in exotic settings, I’m afraid the TBR increased by three books after this panel.

Quais du Polar is about crime fiction but the local authorities involved with crime solving partner with the festival to share how things are done in real life. It helps that Lyon is the city where CSI was developed (with professor Lacassagne, see my billet about Les suppliciées du Rhône by Céline Gatel), where Interpol is located and is the third largest criminal court in France.

Once I visited the school for commissaires de police and saw how they teach the students how to work on a crime scene. Sometimes, a police station is open to the public and the officers share their quotidian.

This year, I went to a conference about cold cases at the court. The speakers were a public prosecutor, Jacques Dallest and two lawyers specialized in solving cold cases, Maître Seban and Maître Corinne Herrmann. The discussion was about cold cases and how the French justice doesn’t handle them well-enough. They shared anecdotes, explained why the judicial system is not as efficient as it should be and how to improve it. They say that they manage to reopen cases when families or journalists come to see them with something new. There’s also the possibility to reexamine clues with new forensic methods.

It was fascinating to be in the room where the hearings are done and listen to them talk about their work.

If you’re curious about Quais du Polar, check out their website here. You can also see the conferences in replay.

Inspector Dalil in Paris by Soufiane Chakkouche – Moroccan debut crime fiction

April 28, 2021 8 comments

Inspector Dalil in Paris by Soufiane Chakkouche (2021) Original French title: L’inspecteur Dalil à Paris. Not available in English

Soufiane Chakkouche is a Moroccan author who went to university in France, got a degree in business intelligence and changed of career to become a journalist and a writer. He writes in French.

Inspecteur Dalil à Paris is his debut crime fiction novel, a new genre for Moroccan authors, according to his indie publisher, Jiggal Polar. I’d never heard about him but his book was on display in a bookstore, which proves again that independent bookshops are vital for new authors. (Btw, April 24th was the fortieth anniversary of the Lang Law, the one that imposes a unique price for books and thus helps independent bookstores keep their clients.)

Inspector Dalil is a retired officer of the Moroccan police. The chief of the Bureau Central d’Investigation Judiciaire in Casablanca asks him to come back and work on a case in Paris with the French police.

Bader Farisse has been kidnapped in Paris, in front of the mosque on Myrha street. He’s Moroccan student who is doing a PhD on transhumanism. He was working on a project to implant a chip in people’s brains, that would grant them immediate connection to the internet and augment their brain capacities. Their surfing would be untraceable, which means that terrorists and criminals could be connected and act without leaving any trail . Add the quicker and better brains to the mix and you get a very desirable invention for terrorist organizations but also for secret services.

Since Bader is Moroccan and has been abducted in Paris, the French and Moroccan police collaborate to find him before it’s too late.

In a crime fiction novel, the good plot is essential to keep the reader interested but the salt of this kind of books is in their lead characters and whether the reader has certain fondness for them.

Inspector Dalil is an odd ball. He has an ongoing discussion with his Little Voice, who gives unsolicited advice, makes sarcastic comments and points out what Dalil would prefer to ignore. Dalil has old fashioned but efficient investigating methods. His consensual personality allows him to navigate the political aspects of his job in Morocco but also to deal with Commissaire Maugin, the slightly conceited head of the Quai des Orfèvres, the French police.

Chakkouche has an unusual style for a crime fiction writer. There’s an underlying ironic tone in his prose, as if Dalil never takes things too seriously. Murders? Tiny human affairs compared to the great scheme of things. This slightly amused tone belies the seriousness of the plot and I don’t know whether it comes from a Moroccan storytelling tradition or from the author’s own voice.

I thought Chakkouche used too many question marks, that his style was loaded with weird expressions, odd words and stylistic device. At beginning of the book, he sounded clumsy. At the end of the book, I had gotten used to his personal ways with the French language and I thought he was using French with gusto, like you’d enjoy a great dessert. It’s unorthodox but it’s the charm of Francophony, reading how French is spoken and written in other countries.

Now I’m curious to see if Inspector Dalil will have another adventure in Paris or in Casablanca.

Open Season by C.J. Box – my thoughts about Joe Pickett vs Walt Longmire

April 7, 2021 6 comments

Open Season by C.J. Box (2001) French title: Détonations rapprochées.

Open Season by C.J. Box is the first instalment of his crime fiction series.

Set in Saddlestring, Wyoming, it features the Game and Fish Warden Joe Pickett. In this first volume, Pickett has been appointed in Twelve Sleep County for three months, after his mentor Vern Dunnegan suddenly retired. His friend Wacey works in the adjacent area.

Joe moved into the Game & Fish state-owned house with his family, his wife Marybeth and his daughters Sheridan and Lucy. Another baby is on the way. The family barely survives on Joe’s salary.

Box describes the inconsistence between game warden recruitment requirements and the wages they get for their degree and dedication:

There were 55 game wardens in the State of Wyoming, an elite group, and Joe Pickett and Wacey were two of them. Wacey had received his B.A. in wildlife management while bull-riding at summer rodeos before Joe had graduated with a degree in natural resource management. Three years apart, both had been certified at the state law enforcement academy in Douglas and both had passed the written and oral interviews, as well as the personality profile, to become permanent trainees in Jeffrey City and Gillette districts respectively, before becoming wardens. Each now made barely $26,000 a year.

No wonder Joe’s family struggles to make ends meet.

Joe is still a rookie and has acquired an unfortunate notoriety when a poacher, Ote Keeley, took Joe’s gun while he was writing Keeley a ticket for poaching. Joe isn’t a good shot, at least on fixed objects. He’s an honest game warden, a job he loves and takes seriously. He’s an ordinary man with a strong moral compass.

When Ote Keeley stumbles and dies in Joe’s garden, Joe gets involved in spite of him. Ote Keeley has been shot. Sheriff Barnum leads the investigation and the case involves an endangered species and the project of a gas pipeline from Canada to California. A classic case of protection of nature vs greed and the promise of jobs for the locals.

Frequent readers of this blog know that I also read Craig Johnson’s crime series also set in Wyoming. So, how do the two compare?

I’m afraid Box isn’t half as good as Johnson. If I compare Open Season to The Cold Dish, Johnson is superior to Box in plot, characterization, sense of place and style.

Here, I guessed the plot quite early in the story, but maybe Box improved in the following volumes. The characters are less quirky and original, even if having a game warden who isn’t an excellent shot is a great idea. I wasn’t in Twelve Sleep county the same way I feel transported to the Absaroka county.

Saddlestring was a classic western town borne of promise due to its location on the railroad, but that promise never really played out. In the 1880s, a magnificent hotel was built by a mining magnate, but it had faded into disrepair. The main street, called Main Street, snaked north and south and had a total of four stoplights that had never been synchronized. The two-block “downtown” still retained the snooty air of Victorian storefronts designed to be the keystones of a fine city, but beyond those buildings, the rest of Main Street looked like any other American strip mall, punctuated by gun shops, sporting goods stores, fishing stores, bars, and restaurants that served steak.

This is almost everything we learn about the place. Open Season misses the little moments we have in The Cold Dish, Longmire going to the Busy Bee Café, the exchanges with Lucian, the former sheriff and all the little interactions with the locals that make the place come to life.

Johnson’s books are also closer to Nature Writing. Contrary to Box, who was born and raised in Cheyenne, Johnson isn’t a native from Wyoming. And yet, he has a way to describe nature and its impact on people’s lives and way of thinking that is a lot more convincing.

Johnson’s Wyoming is also more multicultural than Box’s. In the Longmire series, Johnson has native American characters, the Cheyenne reservation is part of the local life and there’s a volume about the Basque community. Craig Johnson has been to Quais du Polar several times and I remember hearing him say that books set in Wyoming that don’t include Indians don’t reflect local life properly.

And Box’s Wyoming is made of white people who love guns, hunting and fishing.

Today was, he knew, likely to be the last Sunday for at least three months that he would be able to cook breakfast for his girls and read the newspapers—and now he hadn’t even been able to do that. Big game hunting season in Twelve Sleep County, Wyoming, would begin on Thursday with antelope season. Deer would follow, then elk and moose. Joe would be out in the mountains and foothills, patrolling. School would even be let out for “Elk Day” because the children of hunters were expected to go with their families into the mountains.

Wow. A day off school to go hunting!

Both books include funny details about local life, like the electric plugs on parking meters to heat cars during the winter or the local way to shield their hats from rain:

A few ranchers stretched plastic covers, sometimes referred to as “cowboy condoms,” over their John B. Stetsons but few people owned umbrellas.

Can you imagine the Stetsons with the plastic over them? Sounds like a funny sight.

Style-wise, Johnson is more literary. The descriptions are more poetic, little thoughts about life are peppered in the books. It’s deeper in a off-handed way, especially considering Johnson’s great sense of humor. I love writers with a good sense of humor.

The general feeling is that Box describes a more conservative white community than Johnson. I’m sure both Wyomings exist, but I’m more inclined to read Johnson than Box. I’ll probably read another Box or two, to see how the characters develop and because it’s still good entertainment.

Recommended as a Beach & Public Transport book.

Death on Demand by Paul Thomas – #SouthernCrossCrime2021

March 25, 2021 9 comments

Death on Demand by Paul Thomas (2012) Not available in French. Translation tragedy.

Yes, Ihaka was unkempt, overweight, intemperate, unruly, unorthodox and profane, none of which featured on McGrail’s checklist of what constituted a model citizen, let alone a police officer. But when it came to operating in the cruel and chaotic shadow-world where the wild beasts roam, he was worth a dozen of those hair-gelled careerists who brought their running shoes to work and took their paperwork home.

Meet Tito Ihaka, the Maori police officer in Death on Demand by Paul Thomas. When the book opens, he’s in the doghouse, sent away in Wairarapa as a demotion from his previous job with the Auckland police department. When working on Joyce Lilywhite’s death, he insisted that her husband Christopher was guilty of his wife’s murder even if he had no sound evidence of it. Joyce was a prominent business woman and Ihaka’s stubborn insistence on Christopher’s guilt combined with his brash behaviour on the force led to his fall.

Ihaka has been in Wairarapa for five years when his former boss, Finbar McGrail sends for him. Christopher Lilywhite wants to talk to him and when Ihaka does, Christopher –who is terminally ill—confesses that he ordered his wife’s murder but doesn’t know who did it. He also points Ihaka towards three other murders that seem committed by the same hitman. Christopher gets murdered and another source of information too. The plot thickens.

The investigation about Joyce’s murder starts again, led by Ihaka’s nemesis, Detective Inspector Charlton. When Warren Duckmanton is murdered, Charlton has too much on his plate and reluctantly delegates this investigation to Ihaka. And there’s the strange attack of undercover cop that Ihaka can’t compute. The word is that this cop got sloppy and paid the price when the mob discovered his identity. Ihaka isn’t convinced by this official version and wonders what’s behind it. So, he investigates on the side.

Ihaka is a maverick in the police department and doesn’t hesitate to ruffle some feathers to go on with an investigation. McGrail has been promoted to Auckland District Commander since Ihaka’s leaving for Wairarapa and his attitude has changed with the responsibilities. Ihaka has to face the new politics at the station and live with Charlton’s constant hostility.

Death on Demand is cleverly constructed with a prologue that gives the reader some clues about the protagonists’ pasts and motivations. Several plot threads come to life, well-sewn together and that makes of Death on Demand a compelling read. I liked Ihaka, he reminded me of Connelly’s Bosch.

To my surprise, Death on Demand is peppered with French expressions like et voilà, raison d’être (didn’t know I could use this one in English), au contraire, faux pas, tête-à-tête. Many thanks to Bitter Lemon Press for their excellent editing: not one accent is missing on French words, a rare treat in Anglophone books.

This is my second read for Kim’s Southern Cross Crime Month where we read crime fiction from Australia and New Zealand. The first one was Death in Ectasy by Ngaio Marsh and since Death on Demand won the Ngaio Marsh Award in 2013, things have come to a full circle.

Highly recommended to crime fiction lovers. Sorry for French readers, it’s a Translation Tragedy book.

Junkyard Dogs by Craig Johnson – Where European winters seem summery

February 14, 2021 8 comments

Junkyard Dogs by Craig Johnson (2010) French title: Molosses. Translated by Sophie Aslanides.

I’m back in Wyoming in Absaroka county in this 6th volume of Craig Johnson’s Longmire series.

Unfortunately, that’s where Johnson’s paperbacks started to be published by Points instead of Gallmeister and the books are not as nice as before. The cover is a cheap picture instead of an original drawing and the paper isn’t as thick. Gallmeister keeps publishing the hardbacks and manages the translation while Points has taken over the paperback ones.

I don’t know who made the decision but it’s not a good one for readers who enjoy nice paper books. I guess either I’ll get the hardback or I’ll get the ebook in English.

Back to Junkyard Dogs. It’s February and the winter in brutal. Imagine that they have electric plugs on parking meters so that you can warm your car. Let’s not complain about a little bit of snow in Western Europe, right?

This episode opens on a weird scene that only Longmire seems to get himself into:

I tried to get a straight answer from his grandson and granddaughter-in-law as to why their grandfather has been tied with a hundred feet of nylon rope to the rear bumper of the 1968 Oldsmobile Toronado.

I stared at the horn pad and rested my forehead on the rim of my steering wheel.

The old man was alright and being tended to in the EMT van behind us, but that hadn’t prevented me from lowering my face in a dramatic display of bewilderment and despair. I was tired, and I wasn’t sure if it was because of the young couple or the season.

The old man is Geo and the young couple are Duane and Gina. Geo runs the local junkyard and is at odds with his neighbor Ozzie Dobbs Junior. He bought the land adjacent to the junkyard to build a luxury housing development. The proximity of the junkyard cramps his style and for two years now, Dobbs has been trying to move the junkyard and car scrap yard from Geo’s land to other premises in the State. There’s no lost love between Geo and Dobbs, but it’s another story between Geo and Dobbs’ mother.

Then a human thumb is found in the junkyard and the sheriff opens an investigation to find out to whom it belonged. It’s an opportunity to motivate Deputy Saizarbitoria who has trouble recovering from taking a bullet in a previous investigation and from the birth of his son, who is not sleeping. A change of job sounds appealing to him at the moment but Longmire wants to keep him on the team. Hence the motivational thumb investigation.

The severed thumb mystery leads the Sheriff to another kind of crime operated on the junkyard premises.

Life is never boring when you’re sheriff in the Absaroka county.

*sigh* I never know how to write properly about crime fiction books, I’m always wary of giving away too much of the plot and spoil another reader’s fun. I was glad to spend another moment in Longmire’s company. The team at the sheriff’s office are as fun as usual and Craig Johnson never lacks of plot ideas. It’s not Pulitzer Prize material but it’s entertaining, good fun and well-written.

The Score by Richard Stark – the Parker series

January 16, 2021 14 comments

The Score by Richard Stark (1964) French title: En coupe réglée. Translated by M. Elfvik.

I don’t remember why I downloaded The Score by Richard Stark since I didn’t know him at all. I was grateful for the foreword by John Banville in this edition as it puts the book and its character in their context. Richard Stark is Donald Westlake’s penname. He didn’t want too many Westlakes published at the same time, so he decided to take a nom de plume for this series.

Like Lawrence Block in a previous billet, you’ve got to admire these prolific writers who write so much and have so many good stories in their heads that they need several pennames for the market to keep up with them.

The Score is the fifth instalment of the Parker Series and the main character, Parker, is a criminal who steals money for a living. In The Score, he’s been hired by Edgards to organize the heist of a whole mining town, Copper Canyon, North Dakota. The idea is to rob the payroll from the plant, break all the bank safes and break into the jewerly store.

At first, Parker thinks it’s madness. When he works out the details and finds the right men, he starts thinking it’s feasible. One thing he doesn’t know: this operation seems to be a personal matter for Edgards and Parker wonders if it’ll interfere with the success of the job.

The Score is split in three parts: preparation, operation and aftermath. Twelve men are necessary to secure the town, steal the money efficiently and buy time to escape, stay put for a while and split. I couldn’t help wondering why they didn’t put all this intelligence and attention to details into legal activities.

Parker is a born leader. His physique inspire respect from the men:

He was a big man, broad and flat, with the look of a brutal athlete. He had long arms, ending in big flat hands gnarled with veins. His face—it was his second, done by a plastic surgeon—looked strong and self-contained.

You sure don’t want to mess up with someone like that but in operation, he’s smooth, levelheaded and tries to avoid useless violence.

Grofield liked to watch Parker work. See him before a job, or after, you’d think he was just a silent heavy, quick-tempered and mean, about as subtle as a gorilla. But on a job, dealing with any people that might be in the way, he was all psychology. Terrify them first. Terrify them in such a way that they’ll freeze. Not so they’ll make noise, or run, or jump you, or anything like that, just so they’ll freeze. Then talk to them, calm and gentle. Get their first names, and use the first names. When a man uses your first name, calmly and without sarcasm, he’s accepting your individuality, your worthiness to live. The use of your first name implies that this man really doesn’t want to harm you. The fright to freeze them, and then the reassurance to keep them frozen. And it worked almost every time.

Parker is a professional who wants to keep earning money in perfectly executed heists. He doesn’t do sloppy because he wants to stay out of prison and if he gets caught, he doesn’t want to be charged with manslaughter. So keep the violence to a minimum, don’t do any useless damages and focus on getting the money.

Stark (Westlake) is a fine author with a cinematographic writing. The Score reads itself as you watch a good crime film from the 1950s or 1960s. For a French, it’s a Gabin or Belmondo kind of movie.

Stark excels at building the tension. The preparation of the operation is detailed enough to be plausible and he transported me with the characters when they studied the town’s map in an abandoned wharehouse, when Parker went to purchase the weapons they’d need for the heist. I learnt about the underground financing of such criminal operations.

For the record, the men decide to take the risk and rob the town for an expected loot of $20 000 per person. As a comparison, the purchase of all the weapons (machine guns, tommies, rifles and handguns), the several cars and the trucks needed for the operation cost $4000. So, $20 000 is a lot of money in 1964.

Stark/Westlake writes a good story, avoids useless violence and gory details and instills a bit of humor here and there. Here’s one of the men lecturing Grofield because he doesn’t pay income taxes while every criminal knows you need to find a creative way of justifying the origin of your money on your income tax return and pay taxes like a good law-abiding citizen.

“You’re a young man, you can still learn. Pay attention to this. You can steal in this country, you can rape and murder, you can bribe public officials, you can pollute the morals of the young, you can burn your place of business down for the insurance money, you can do almost anything you want, and if you act with just a little caution and common sense you’ll never even be indicted. But if you don’t pay your income tax, Grofield, you will go to jail.”

Right. Good advice. After all, Al Capone fell for tax fraud.

Another quote, from the scene where Parker buys the weapons for the job:

Machine guns,” said the blind man. “They’re expensive, machine guns.” “I know,” said Parker. “And hard to come by.” “I know.” “The government tries to keep tabs on them. It’s tough to find one without a history.” “I need three. And three rifles. And eight handguns.” “Rifles, handguns,” said the blind man. “No problem. Machine guns, that’s a problem.”

Ah the good old days, when it was difficult to get machine guns in the USA. This is 1964. Just a reminder that government control on weapons existed at some point. See, it is possible.

The Score and the Parker series have been made into a BD (graphic novel). The French version of the BD is translated by Tonino Benaquista and should be good entertainment and the translation is recent. According to the cover, the drawings by Darwyn Cooke look gorgeous.

As an novel, The Score was published by Série Noire and translated by M. Elfvik. It’s currently out-of-print and since there’s no recent translation, I wouldn’t be too confident about the quality of the 1960s one. Other books of the series have been republished by Rivages Noir and may have been retranslated.

This is a perfect Beach & Public Transport book. It’ll keep you entertained and there’s no gratuitous violence. I’m curious about Parker and how Stark/Westlake developed his character.

The Burglar Who Counted the Spoons by Lawrence Block – libraire and gentleman burglar

January 10, 2021 15 comments

The Burglar Who Counted the Spoons by Lawrence Block. (2013) French title: Le voleur qui comptait les cuillères. Translated by Mona de Pracontal.

This is an impulse purchase from my last visit to a bookstore before Christmas. I’d never heard of Lawrence Block but the cover of the book winked at me and who doesn’t want to read a crime fiction book whose main character is a libraire/gentleman burglar?

Bernie Rhodenbarr is a bookseller in Manhattan. His life is split between running the shop, having lunches and drinks with his best friend Carolyn and breaking and entering into buildings at night upon clients’ stealing orders. In The Burglar Who Counted the Spoons, a Mr Smith wants him to sneak an original copy of Fitzgerald’s short-story The Curious Case of Benjamin Button out the Galtonbrook Museum. Then Mr Smith wants a spoon with a portrait of Button Gwinnett who signed the United States Declaration of Independence for the state of Georgia. So, our Mr Smith is obsessed with buttons…

Meanwhile, Mrs Ostermaier is found dead in her brownstone. It looks like a burglar was disturbed by Mrs Ostermaier coming back early from her opera night. Ray, a police officer from the NYPD pays a visit to Bernie. He knows about his illegal occupations although Bernie swears that he has retired from burglaries. Ray takes Bernie to the crime scene to have a reformed burglar’s opinion. Bernie thinks that the theft is a smoke screen and that Mrs Ostermaier was murdered before the place was turned upside down to make it look like breaking and entering.

Block mixes two plot threads, the one about Mr Smith and his button collection and the one about Mrs Ostermeir’s death. Bernie and his sidekick Carolyn act as unofficial NYPD investigators. Lots of things are illegal and unorthodox in the story. Bernie gathers evidence with his burglar skills, looks closer into Mr Smith and Block dares to write a grand finale à la Poirot.

This is a gourmet and light crime fiction book. The dialogues are witty and laced with bookish and historical references or explanations. Bernie is erudite and he shares freely with the reader. The minor characters are well-drawn, even Bernie’s cat, Raffles. When she’s not involved in Bernie’s shenanigans Carolyn works at Poodle Factory and their friendship is a highlight of the book, with their daily drinks at the Bum Rap, their sleepover nights and confidences about their respective love lives. The clients of the bookstore add to the fun and New York itself is a presence in the novel.

The Burglar Who Counted the Spoons is the 11th book of the Rhodenbarr series. Block is a prolific writer, with four different series: Matt Scudder, PI in New York, Bernie Rhodenbarr, libraire extraordinaire, Evan Tanner, secret agent and Keller, hitman. He has written under several pennames in the 1960s and 1970s, mostly books without recurring characters.

I enjoyed The Burglar Who Counted the Spoons and I recommend this series as lighthearted crime fiction, one of those books you read for entertainment, to cleanse your palate after a tough read or spend a few hours in oblivion, away from the news. I’d like to read more books by Lawrence Block but there are so many of them that a little help picking the good ones is welcome.

PS : The pink cover is the original edition. What was the publisher thinking? Self-sabotaging the book to have a tax write-off?

All Is Not Forgotten by Wendy Walker – not my cup of tea.

December 12, 2020 12 comments

All Is Not Forgotten by Wendy Walker (2016) French title: Tout n’est pas perdu. Translated by Fabrice Pointeau

This is a short billet about All Is Not Forgotten, a thriller by Wendy Walker. I’m not a great fan of thrillers and I got Walker’s book with one of my Quais du Polar subscriptions. So, not a book I would have bought myself and after abandoning it at page 110, the only satisfaction I get from the experience is that I’m getting better at spotting books that aren’t for me.

In All Is Not Forgotten, Jenny, fifteen, is raped in the park behind the house where she was attending a party. Her parents get called to the hospital and agree to let the doctors give her a treatment that will make her forget this terrible night. The mother, Charlotte, wants to erase that night and is focused on moving on. The father, Tom, is not totally on board with this drug because Jenny’s missing memories will go against the police’s chances to find her aggressor. Charlotte wins and Jenny’s agression disapears from her consciousness but not from her mind and she’s not getting better.

Several things bothered me in this book and eventually led me to put it aside. Like Guy says in his review of A Helping Hand by Celia Dale, I prefer crime books where the killer is an ordinary person who crosses the line and becomes a murderer. I’m not too fond of serial killers and I can’t help thinking that building a plot around a teenager who gets violently raped in the woods lacks a bit of imagination.

I also found that the family was caricatural. They live in Fairview, a rich small town in Connecticut. Charlotte doesn’t work, keeps a strong hand on her husband and cherishes her membership to the local country club. She never has a hair out of her tight chignon and wears spotless clothes and make up. Well, you know the type. And her status is town is important to her, which puts pressure on her husband Tom. She’s a cold bitch, he’s an emotional carpet. Cliché.

The narrator of the book is Alan Forrester, a psychiatrist who sees Jenny after her suicide attempt. I guess he was going to take us through the story and its denouement after poking at Jenny’s mind and looking into her parents’ past hurts.

It’s not a bad book per se, it just confirms that I’d rather read Strangers on a Train by Patricia Highsmith than this kind of stories.

Has anyone read it?

Three good entertaining books by Dominique Sylvain, Pierre Christin and HG Jenkins

November 22, 2020 15 comments

Let’s face it, my TBW is out of control, the end of the year is coming and with the second lockdown, I keep reading. I’m not used to mixing several books in a billet but I’m doing it today, mostly focusing on light and entertaining books. See it as an attempt at taming the TBW.

First, we’re going on a trip to Japan with Dominique Sylvain. Her crime fiction novel Kabukichō takes us to Tokyo’s red-light district.

Kate Sanders works in a hostess bar, Club Gaia, and shares an apartment with a coworker, Marie. One night, Kate doesn’t show up for work. Her father in London receives a text message, a photo of his daughter with the caption “She’s sleeping here”.

A few days later, Kate is found dead. Captain Yamada is appointed to the case. He and his lieutenant Watanabe will investigate Kate’s life in Kabukichō. She was very good friend with Yudai, a charming young man who owns a host bar, the male version of the hostess bar.

I’m not familiar with Japan and I found Kabukichō fascinating for its description of the functioning of this red-light district. The crime plot was well-drawn, mixing the private lives of Kate, Marie and Yudai. Captain Yamada, old school compared to his lieutenant was an attaching policeman. All the characters have cracks in their souls, minor but irritating like a never healing small wound or major rifts that make them cross-over to the side of craziness.

It was a quick read, entertaining and enlightening with a stunning ending. It would make a wonderful film. Sadly, this book is not available in English.

Obviously, Kabukichō is exotic for a French reader. For me, the setting of Little Crimes Against Humanities by Pierre Christin was almost as foreign as Tokyo. The whole book is set in the French academic world and there’s a specific vocabulary related to positions and to the French university system. I’ll use American terms, as best as I can.

In Little Crimes Against Humanities, we’re in the small university of Nevers, in the center of France, basically the French equivalent of Iowa.

Simon Saltiel wrote his PhD thesis about Death in Art. Think about vanity paintings and such things. At the moment, he’s a teacher at the Humanities department but without a tenured post. He’s friend and roommate with an older teacher, Etienne Moulineaux. Their dean is Goulletqueur, notorious for preferring local candidates to others and this is why Simon has failed again to get a permanent position. The dice are loaded.

Léon Kreisman, a famous academic, art and book collector, collapses on the university stairs after a lecture. Fatal heart attack. He has no wife or children, only a pit bull secretary Madame Danitza.

Simon was among the first people on the premises and is dragged in spite of him, in the intrigues coming after Kreisman’s death. People want to put their hands of Kreisman’s collections. Goulletqueur wants to have a new library and hope that these resources will attract foreing academics and finally put the Nevers university on the international map of universities. L’Hours, a big man in the ministry of Education in Paris wants the collection to fill a new museum he will inaugurate. A private collector wants this collection for himself.

A mysterious poison-pen letter writer sends vengeful messages to several members of the faculty. The police get involved. The poor commissaire has his hands full with this foul business at the university on top of agricultural happenings from the Confédération Paysanne, a radical agricultural union that doesn’t have the decency to follow the usual methods of demonstration of the established union, the FNSEA.

Mild-mannered Simon finds himself in the middle of all this and with the help of two other colleagues, things won’t pan out as expected for the hot-shot and ambitious academics.

Besides the plot about Kreisman’s heritage, this is a satirical picture of the French universities, a milieu Christin knows from inside out. He shows the bureaucracy, the lack of money, the pettiness and the ambitions. An institution whose tenured posts are trusted by people who were young the the 1970s, a time when the Humanities were polarized, Trotskyists or not in the aftermath of 1968. He also shows an institution that, at local level, tries their best for their students. Their janitor is a genius at repairing anything with little means and teachers remain invested in their job.

Very humoristic about universities, small town France, Parisian centralization and the Ministry of Education but also about international academic relationships and symposiums. It’s almost as if David Lodge had written cozy crime.

Still on the lookout for easy and entertaining reads, I asked for recommendations to fellow book bloggers. Jacqui came up with Patricia Brent, Spinster by Herbert George Jenkins. Published in 1918, it’s in the same vein as Miss Pettigrew Lives for a Day, a way to spend a moment in a bubble far away from 2020.

Patricia Brent is 24 and works as a private secretary to a “rising MP”. She lives at the Galvin House Residential Hotel, in other word, a boarding-house.

One night, she overheads the other tenants talk about her and commiserate that she was lonely and never went out with young men. Piqued, Patricia invents herself a fiancé, tells them that she won’t be there for dinner the next day because she was to meet him at the Quadrant. She plays along, actually shows up to the restaurant, intending to dine there on her own when she realizes that the Galvin House gossipmongers are there to spy on her. She plops herself on a chair at a man’s table and asks him to play along. This is how she meets Lt.-Col. Lord Peter Bowen, DSO.

The outcome of the book is a given from the first chapters but Jenkins draws a colorful picture of the guests at the boarding house, the MP’s family and Lord Bowen’s circle. It’s a great comedy, the light plot designed to cast an amused glance at the different classes of the London society. I loved Jenkins’s sense of humor. Today, he’d write TV shows. His characters are quick at repartee, here’s a sample:

“Can you, Mrs. Morton, seriously regard marriage in this country as a success? It’s all because marriages are made in heaven without taking into consideration our climatic conditions.”

And

Bowen turned slowly and re-entered the taxi. “Where to, sir?” enquired the man. “Oh, to hell!” burst out Bowen savagely. “Yes, sir; but wot about my petrol?”

He’s also extremely funny in his descriptions of places, people and manners.

Mr. Archibald Sefton, who showed the qualities of a landscape gardener in the way in which he arranged his thin fair hair to disguise the desert of baldness beneath, was always vigorous on Sundays.

The whole book is a fast paced comedy. Patricia Brent, Spinster did the job. Easy to read, entertaining and good escapism. Much needed this year but as Jenkins writes, When you lose your sense of humour and your courage at the same time, you have lost the game.

PS: I have the Jenkins on kindle with a bland cover so I added the cover of the original edition that I found on Goodreads. It’s terrible, isn’t it? These eyes seem ominous.

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