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Sing, Unburied, Sing by Jesmyn Ward – Déjà Vu

May 12, 2021 11 comments

Sing, Unburied, Sing by Jesmyn Ward (2017) French title: Le chant des revenants. Translated by Charles Recoursé.

This is a book I received in my monthly Kube subscription.

In Sing, Unburied, Sing, Jesmyn Ward takes us to a farm on the Gulf Coast of Mississippi. It’s owned by an African-American family. JoJo, 13 and his sister Kayla, 3, live with their maternal grandparents Mam and Pop. Their mother Leonie is a drug-addict and motherhood is only a second thought for her. Leonie married a white man, Michael, who is currently in prison. Michael’s parents are racist and never accepted Leonie as a daughter-in-law. They have never seen their grandchildren.

Mam is dying of cancer and Pop tries to hold everything together. JoJo has reached this pivotal age between childhood and adolescence when children appraise their parents and his parents’ value is down to zero. He even calls them by their first names. He understands he needs to grow up quickly. He does his best to help Pop, to take care of Kayla who relies on him and spend time with Mam.

After three years at Parchman farm, the Mississippi State Penitenciary, Michael is released on parole and Leonie decides to take her kids to a road trip accross the State to bring their father home.

Jesmyn Ward dives into this family’s past: their golden son Given was murdered at 18 by Michael’s cousin, Pop did time at Parchman too and Mam is a healer. Given’s death was masked as a hunting accident. Given visits Leonie when she’s high, both a soothing and a frightening figure in her life.

I know this book has won a lot of awards, that critics brought up comparisons to Toni Morrison and William Faulkner but honestly, I wasn’t blown away. I had a feeling of déjà vu that made me sigh with disappointment and weariness.

The structure of the book uses the several voices device. Like in Leaving Time by Jodi Picoult or Loyalties by Delphine de Vigan, narrators switch from one chapter to the other. It sounds more like fashion for contemporary fiction than an artistic choice and it made me long for a good old omniscient narrator.

The supranatural elements of the story didn’t agree with me either. The ghost of Given and the one of Richie, a young boy from Pop’s past, insinuate themselves in the livings’ lives. Both deaths have been masked into something else and the two boys don’t rest in peace. And it’s not new, I’m not fond of books with ghosts and haunted people.

The theme of the book itself isn’t really original. Maybe I’m just tired of Black/Indian/Aborigine children raised by worthless or absentee parents and who have to fend for themselves. There’s Blood by Tony Birch and Medicine Walk by Richard Wagamese and now Sing, Unburied, Sing by Jesmyn Ward. Each of these book is good in itself but reading the three within a year proved to be too much to me.

If you’ve read Sing, Unburied, Sing, I’ll be glad to discuss it with you in the comments.

For another vision of this novel, have a look at Buried In Print’s review.

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