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Runaway by Alice Munro

October 13, 2015 14 comments

Runaway by Alice Munro (2004) French title : Fugitives. Translated from the Canadian by Jacqueline Huet and Jean-Pierre Carasso.

Munro_FugitivesBefore I start telling you about Runaway, please allow me a little rant. I’m angry at the French publisher. I dare you to find a male Nobel Prize winner with such a pink cover for his books. The reasoning seems to be: it’s written by a woman, about women, therefore it is aimed at a female readership and it deserves a pink cover. I tell you, it is a shame to market a book written by such a remarkable author as it were a book by Sophie Kinsella. I wonder why they didn’t put a cupcake on the cover, the picture would have been complete. Grrr.

End of the rant.

Runaway is a collection of eight short stories, long enough to develop their plot and characters nicely. Each one is around 40 pages long, except for the last one. The short stories included in the collection are: Runaway, Chance, Soon, Silence, Passion, Trespasses, Tricks and Powers.

It is rather difficult to write about short stories. I’ve decided against retelling one or the other but will try to decipher a pattern, a common theme instead. In a nutshell, Alice Munro brushes through the characters’ lives and show them at different times of their existence.

Runaway is the title of the first short story. The French translator chose to call it Fugitives, which means “runaway” but in plural and in the feminine form. So, for a French reader seeing the book on a shelf, it is about runaway women. It’s an interpretation, I wonder if Alice Munro approved of it, but it’s a good assumption. All the characters live moments away from their routine or tell the moment they derailed from their usual days and how it affected their future.

All the main characters are women and in every story, this character has another woman in her shadow, a disquieting presence, someone who seems friendly or loving in appearance but has a negative influence on the character’s course of life. It is a mother, a sister, a daughter, a friend, a neighbor, a housekeeper, a rival or a former rival in her man’s affections. The men in their lives are weak or tasteless. They lack personality, they’re accepting to the point of lacking a backbone. They got into a relationship because it was a thing to be done or because they didn’t want to be lonely. They all fail their partner, voluntarily or not. The passionate ones are on the dark side, they drink or they cheat. The others get sick and trap their wives in a caretaker role or die suddenly.

These women live a linear life and the short stories either reveal how they got there or picture a moment when their life made a detour. They got sidetracked. For example, Robin goes to the theatre in the nearby city once per year and it’s her alone time, stolen moments for herself, away from her ailing sister. They aren’t really unhappy but the reader has the feeling that their lives could have been better. If they had behaved differently. If they hadn’t settled with the wrong man. If they had been more assertive about their wishes, their needs. Most of them were born at a time when women had fewer options in life. Grace thinks, after meeting a lovely and perfectly dressed young woman:

She could not explain or quite understand that it wasn’t altogether jealousy she felt, it was rage. And not because she couldn’t shop or dress like that. It was because that was what girls were supposed to be like. That was what men –people, everybody—thought they should be like. Beautiful, spoiled, selfish, pea-brained. That was what a girl should ben to be fallen in love with.

They were expected to quit their jobs when they got married. University degrees were a means to be where the men with a bright future were. If they stray away from the designated path, they have to face the consequences. Juliet lives with Eric and has a daughter with him. We’re at the end of the 1960s and they’re not married. They live in Whale Bay, in British Columbia. When she visits her family near Toronto, she realizes how much her choice cost to her parents. Her father lost his teaching job. They’re ostracized and they’d rather pick her up at a farther train station than welcome her in their town’s station.

Runaway gives glimpses of the lives of women born before 1950. It is written in a sober tone, the angle shifting from one heroin to the other. I don’t have other quotes to share as I have the book in French. Alice Munro puts her characters on stage, giving a face and a voice to millions of quiet Canadian women. They’re average people, they could be you or me. They don’t live a grand passion, they have a quiet domestic life and yet, they’re unique. I felt like wandering in a cemetery, stopping randomly in front of a grave and listening to someone quietly telling me about the person buried there. Who she was. What happened to her. What event changed her life. It’s a lovely promenade with them.

A big thank you to the friend who gave me Runaway because I’m not sure I would have bought it myself, Nobel Prize or not. It’s been sitting on my shelf and became part of my #TBR20 project.

PS: A word about the #TBR20 project. I’m suffering from withdrawal symptoms: I haven’t bought myself a book in months and I’m itching to visit a bookstore. I’ve managed to refrain by purchasing books as gifts and getting book related items, like bookmarks or a mug with Shakespearian insults on it. *sigh* Still 6 books to go.

 

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