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The Wake of Forgiveness by Bruce Machart – a Texan family saga

July 18, 2021 2 comments

The Wake of Forgiveness by Bruce Machart (2010) French title: Le sillage de l’oubli. Translated by Marc Amfreville.

The Wake of Forgiveness by Bruce Machart is set in the fictional town of Dalton, in Lavaca County, Texas.

The Skala family settled there when the first Czech immigrants of the family arrived from Europe. This area is full of Czech families. The plot covers three periods of time: 1895, 1910 and 1924. Each year is a turning point in the saga of the Skala family.

The book opens on a dramatic scene. We’re in 1895 and Klara Skala dies in child-birth. Karel, the baby, survives his mother and Vaclav, the father will never be the same.

The townsfolk would assume, from this day forward, that Klara’s death had turned a gentle man bitter and hard, but the truth, Vaclav knew, was that her absence only rendered him, again, the man he’d been before he’d met her, one only her proximity had ever softened. He’d known land in his life that, before a few seasons of regular rainfall, had been hard enough to crack a plow point, and he knew that if, by stubbornness or circumstance, that land became yours to farm, you’d do well to live with the constant understanding that, in time, absent the work of swollen clouds and providence, your boots would fall loudly, giving rise to dust, when you walked your fields.

Vaclav and Klara had already three boys, Stanislas, Thomas and Eduard when she died giving birth to Karel. The four boys have a very hard childhood with their father who is only interested in acquiring land, farming and breeding race horses. These horses are his passion. The boys do the heavy work in the fields, including pulling the plow that the race horses are too precious to pull. They grow up without affection.

In 1910, Guillermo Villasenõr arrives from Mexico with a lot of money and three daughters to marry. He knows about the Skala boys and intends to settle in the Lavaca County and marry his daughters to these farm boys.

The girls get their first glimpses of their future husbands, what they see, instead of blond-haired and handsome Czech farm boys, like they’ve been told by their father to expect, are weathered young men straining against the weight of the earth turning in their wake, their necks cocked sharply to one side or the other, their faces sunburned despite their hats and pealing and snaked with raised veins near the temples, their boots sliding atop the earth they’re sweating to unearth. The four of them work harnessed two abreast in front of their father, who’s walking in their work, one foot to each furrow spitting stained juice between his front teeth and periodically cracking a whip to keep the boys focused and the rows straight.

With this kind of living conditions would you blame the boys to be willing to do anything to escape their father’s literal and figurative yoke? They know Villasenõr’s arrival is a ticket out of their father’s power. They grab that ticket, even if it’ll tear their family apart.

Fast forward in 1924. Karel is married to Sophie, it’s December and she’s about to give birth to their third baby. She wanted to go to church, even if it’s far and risky with her pregnancy. She’ll break her waters during the church service and, contrary to Klara, will get a midwife’s help in time. Meanwhile, Karel waits and drinks. He hires two teenagers to go and take care of the farm while he stays in town with Sophie. The boys also have to deliver the moonshine beer he makes, discretion needed since it’s the prohibition area. The boys will not follow orders and take ill-advised initiatives. This will trigger another dramatic event for the Skala family.

The Wake of Forgiveness goes back and forth in time, between 1910 and 1924. It covers thirty years in the life of this Texan family. Life is hard and we follow Karel’s point of view, the boy whose birth triggered the family’s unhappiness. Although he never says it aloud, it is clear that he carries the weight of depriving his brothers of a mother and his father of his wife. He doesn’t know how to make up for that and he sure doesn’t know how to deal with his emotions. He’s a hard man but, despite his harsh upbringing, he’s a better father than his own, playing tenderly with his daughters.

I’ve read The Wake of Forgiveness in an excellent translation by Marc Amfreville. Machart’s style is beautiful and haunting. Nature and men are one, each has power over the other. As you can see in the two previous quotes, Machart compares humans to the land and shows how the land impacts humans. Human emotions find their counterpart in the mesmerizing descriptions of the landscape. The land and the climate shape the humans who settles there, imprinting their mark on people’s tempers. With subtle brush strokes, Machart takes us to Lavaca County, among these farmers who live a hard life and with this family who needs to find their way to happiness through forgiveness and redemption.

A very powerful book and another great find by Gallmeister.

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