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Indian Creek Chronicles by Pete Fromm – A stay in the Idaho woods
Indian Creek Chronicles by Pete Fromm (1993) French title: Indian Creek. Translated by Denis Lagae-Devoldère.
Pete Fromm was born in 1958 in Wisconsin and Indian Creek Chronicles are the memoir of the winter 1978-1979 that he spent on his own, in a tent in the Selway-Bitterroot Wilderness in Idaho. The book opens on his first moments alone in his new lodgings:
Once the game warden left, the little tent we’d set up seemed even smaller. I stood in front of it, shivering at a gust I thought I felt running across my neck. Could this really be my home now? My home for the next seven months? For the entire winter? Alone? I glanced up at the river canyon’s steep, dark walls, already cutting off the mid-afternoon sun. Nothing lay beyond those walls of stone and tree but more of the Selway-Bitterroot Wilderness. I was alone, in its very heart.
The shadow of the canyon’s wall fell over me and I hurried away from it, into the sunlight remaining in the meadow. My steps rustled through the knee high grass and the breeze soughed through the towering firs and cedars hemming the small opening. The river’s whispering rush ran through it all, creating an insistent quiet that folded around me like a shroud.
I stopped at the phone pole the warden had said would link me to the outside. Yesterday we’d discovered the phone didn’t work. I picked it up anyway, listening to its blank silence, the voice of the rest of the world. With the receiver still against my ear I turned and looked back at the shadowed tent, far enough away now for perspective.
The canvas walls closed off an area fourteen by sixteen feet. The wardens had told me that, bragging it up, making it sound spacious. On the phone, sitting at a college swimming pool, when I’d been accepting this job, it had sounded palatial.
Fromm explains that he went to the University of Missoula on impulse, after stumbling upon a brochure. He had been camping and hiking with his family but he was not familiar with the West. He read a lot about frontiermen, fur trapper and other mountain men. He knew about Hugh Glass through books like Lord Grizzly by Frederick Manfred and had loved The Big Sky by A.B. Guthrie Jr. He was definitely attracted to life in the woods and solitary exploits.
He was on the swimming team at college and when the program got canceled, he was angry and jumped on the opportunity to take on a job with the Fish and Game department in Idaho. His mission consisted of monitoring salmon eggs during a whole winter for a science experiment.
The mama bear in me had a surge of empathy for his poor mother, who had to live several months with the knowledge that her son was on his own, in the Rocky Mountains, in a tent, in winter with snow and temperatures dropping to -30°C, with roads closed and without a phone. The only comforting thought is that bears hibernate and wouldn’t be around.
Pete Fromm has a lot of humor and we follow his preparations for his trip. The warden gave him almost no guidance. His roommate Jeff Rader helped him pack. He had to decide upon which camping gear to take with him and buy his own food.
Imagine that when he went there, he didn’t know how to drive with a stick (The Fish & Game truck had one), he didn’t know how to use a rifle and he had never spent so much time in the wilderness on his own. He didn’t know the codes of his new environment as we understand it when the wardens leave after settling him in the woods:
The wardens climbed into their truck, ready to leave. ‘You’ll need about seven cords of firewood. Concentrate on that. You’ll have to get it all before the snow grounds your truck.
’ Though I didn’t want to ask, it seemed important. ‘What’s a cord?’
I thought “Wow. How can you be so bold as to go and live in the woods with so little knowledge of life in the wilderness?” I’m in awe for this mix of confidence and carefree attitude. I wish I were more like him.
He’s here to tell the story, so we know from the start that all is well that ends well, but still.
Pete Fromm writes about his experience and we see a young college guy become a mountain man in front of our eyes. The job of monitoring the salmon eggs lasts about fifteen minutes per day but must done daily. The goal is to ensure that the water around the egg farm is always running, so breaking the ice everyday in winter is a necessity.
With so little to do for his actual job, his quotidian is made of activities to ensure his daily life. He talks candidly about his months there, the mistakes he makes and various episodes that could have really taken a bad turn. Fortunately, he’s intelligent and fit, he understands what he did wrong and doesn’t make the same mistake twice. He must have had real frights sometimes, though.
He walks a lot in the woods, observes the wilderness around him. The wardens check on him once in a while, to bring him his mail. The visits don’t last long. He doesn’t hide that it was hard to adjust to the loneliness and he was glad when his roommate managed to come and visit him on a snowmobile.
I won’t tell any episodes of his stay at Indian Creek, you’ll have to discover them yourself. I’d rather write about the atmosphere of the book.
I’d already read his novel A Job You Mostly Won’t Know How to Do and I found in Indian Creek the same steady voice as in his novel. His prose is lovely and progresses at the rhythmic and peaceful pace of a hiker. One word after the other, carefully chosen. One foot after the other, carefully put on the trail, so as not to stumble.
The quiet observation of nature pervades in his reflective thoughts and he shares with us moments in the wilderness that he was the only one to witness. He takes us far away from our daily lives and through his eyes, watch with awe the miracle of nature.
Very highly recommended.
A Job You Mostly Won’t Know How to Do by Pete Fromm – A Book You Mostly Won’t Know How to Put Down
A Job You Mostly Won’t Know How to Do by Pete Fromm (2019) French title: La vie en chantier. Translated by Juliane Nivelt.
A Job You Mostly Won’t Know How to Do by Pete Fromm is one of the best books I’ve read this year.
Taz and Marnie are in their later twenties and live in Missoula, Montana. They’re married, deeply in love, settling in life. Taz works as a cabinetmaker for a contractor, Marko. Money is tight but they’re happy, enjoying the nature around them, spending time with friends and renovating the old house they bought, room by room. When Marnie announces that she’s pregnant, they couldn’t be happier to have a baby, become parents and start this new chapter of their life.
Then the unthinkable happens: Marnie dies in childbirth. And from one day to the other, Taz finds himself without his soulmate and with a newborn little girl.
The first chapters of the book show us the young couple preparing for their baby’s arrival. They decorate her room, Taz builds her a bed. They rush into finishing other rooms as well, to be as ready as possible. They enjoy their last picnics and swimming in the river days at two, or so they think. They love camping and flyfishing and upon Marnie’s insistance, their baby girl’s name will be Midge.
And then, the horror on Day Zero. Midge is born and Marnie dies.
From then on, we follow Taz through his days as he struggles to get up, to take care of his baby, to go back to work. Grief takes him to an inner place where the echoes of the world barely come to him. He’s a living robot, lost in his bubble of silence. His parents emigrated to in New Zealand and won’t come back to help him. Marnie’s mother comes to help, crushed by her own grief but thinking of her grand-daughter. His best friend Rudy takes care of him and the community rallies around Taz. His freezer is filled with casseroles, he gets stocks of diapers and baby formula. Clients add a nice tip to his checks. His friends make sure he doesn’t drown in sorrow.
His friends are there, pulling him out of his underwater tunnel, forcing him to resurface and take a breath. Rudy helps him find a babysitter for Midge and that’s how Elmo enters into Taz’s and Midge’s life.
Each chapter is named after the day after Taz’s personal ground zero and Pete Fromm takes us until Day Five Hundred and Nine to Day One of a new life. The title A Job You Mostly Won’t Know How to Do refers to parenthood and Taz is distraught and helpless. How can he raise Midge on his own? Thankfully grandma Lauren visits from time to time, Elmo goes beyond her babysitting duties, Rudy has his back and his employer Marko is understanding.
Fromm makes grief palpable and real for the reader. There’s no pathos, no long internal monologues dissecting Taz’s feelings. He shows us Taz’s life in his long tunnel to the beginning of recovery. Marnie’s with him at all times, he mentally seeks her advice. He takes Midge to their favorite places by the river and tells her stories about her mom. Sorrow grips him at the throat at the oddest moments, because a tiny detail triggers a memory of his former life with Marnie.
A Job You Mostly Won’t Know How to Do is sad but hopeful. It’s the opposite of grandiloquent pain you’d find in other kinds of literature. It’s the pain of ordinary people who brutally lose a loved one.
Pete Fromm finds the right words to make us feel Taz’s pain. There’s no direct description of it but his picture of Taz’s quotidian is an oblique way to show the reader how he feels. How he’s slowly winning the battle against despair. Step by step. How people around him are there along the way, catching him when he stumbles from the heavy pain that he carries with him at all times. How life and hope win, in the end.
I wish I had quotes to share but I read it in French. The French title, La vie en chantier, is spot-on. It means Life as a Work in Progress and Life as a Job Site at the same time. Taz’s life is under construction and he works in construction too. The way he slowly, thoughtfully crafts wood is a metaphor of how he slowly rebuilds his life. Usually, in that case, I download a sample from the American Kindle store or use the “Look Inside” function on Amazon to find a quote from the first pages. But there is no such thing for this book, I suppose that it’s not bankable enough. That’s a shame. Surely the disastrous English covers got in the way of promoting this sensitive novel. Look at them! They are so stupidly Women Fiction (A term I despise) that they betray the book.
Well. Taz felt true-to-life to me and will stay with me for a long time because he’s one of us and all of us at the same time. I would love to meet the author who wrote such a beautiful and universal piece of literature.
A book I very very highly recommend.