Archive for the ‘Blackman Andrew’ Category

I is somebody else

April 10, 2013 18 comments

A Virtual Love by Andrew Blackman 2013. Not available in French.

Dear Andrew,

Right now, I’m very happy that you and all the regular readers of this blog are familiar with the word billet. After turning the last page of A Virtual Love and putting down the paper book on the table, the last thing I want to do is write a blog post. And I’m glad the word billet covers the good old-fashioned letter I’m going to write. I hope you don’t mind. It seems more intimate than a usual blog entry but I don’t feel like slipping into the blogger’s shoes. I’m also glad I had a paper copy of your book and not a kindle version, A Virtual Love made me want to distance myself from virtual things.

Blackman_Virtual_LoveNow, hopefully, readers who don’t know your book are curious. Allow me to tell them a bit about the plot. Jeff Brennan is a nobody who works as an IT consultant, not the space-age ones who implement complicated systems but the ones you call in the office when the report you’ve been typing since three hours without hitting the save button, suddenly goes AWOL. As a total geek he spends his Saturday nights with his equally geek friend Jon playing video games, drinking. His score with the ladies is approximately of zero. So when he accidentally meets Marie and she mistakes him for his homonym, the famous political blogger Jeff Brennan, it seems easier not to correct her. This is how a relationship starts on a lie, a lie that stays, grows larger, invades the smallest corners of his life and turns it into a living hell. How will he get out of it?

I shied away from the reviews I came across and started it with a fresh mind. I was hooked from the first chapter; I really enjoyed your novel, Andrew. I had a hard time putting it down, my mind drifted to it when I was driving to work, pondering the different possibilities for an ending. Of course, the identity quest made me think, and think twice since I’m also a blogger. I felt a bit self-conscious as I was reading these pages while tweeting to people I’ve never met. It made me pause and think about the web of lies created out there. I liked the description of Jeff’s identity jungle. It’s so simple to recreate yourself on the internet, be the one you want to be but also say out loud all the things you’d never dare to say in so called “real life”. It’s easy to criticize this side of the Internet and social networks, so let me be the devil’s advocate. Thinking of real life vs virtual life is a reflex from people who weren’t born with the internet. For younger people, it is life. There’s no dichotomy. Their internet identity is another side of their personality. Other people always see a side of you, the one you show them in the function they know you into and the one conjured up with the assumptions they make about you. Think about it. As a child, would you have imagined that your schoolmaster could play in a rock band during his free time? Probably not. You had him pigeonholed in the role of a schoolmaster and he couldn’t have any other activities, other functions than this one. Well, for me it’s the same on the Internet, people see one side of you and make their assumptions according to what you show. The difference is that you can cheat on an exponential scale and if you do it right, nobody can recoup the lies. But even the lies are yours and tell about who you are. The lies differ from a person to another.

Then there’s Marie. Marie loves someone who is not who she thinks he is but doesn’t she deserve the deception? After all, she loves the idea of dating the famous blogger more than the idea of loving a man. She’s living with someone she would have looked down on if she hadn’t assumed he was a celebrity. You show us a whole love relationship based on a wrong assumption. But I don’t think it is new, you know. Only the means differ. Swann’s love for Odette is kindled by an assumption: she looks like a painting he loves. The Odette he loves is not the real one but the one he created in his imagination. Marie finds all kinds of ways to eliminate all doubts that creep into her mind. She rationalizes and her brain finds consistent explanations for everything. Anything not to admit that this man isn’t as wonderful as she wants him to be. Loneliness is too frightening. I’ll spare you the quote by Romain Gary that came to my mind when I mulled over this.

Have you read or seen Cyrano de Bergerac? I think Jeff genuinely loved Marie. Your novel is a bit like a modern Cyrano, with Jeff borrowing someone else’s identity to have Marie fall in love with him. The difference is that technology speeds things up, widens everything and there’s this underlying thirst for fame which is a trademark of our Western societies. I think it always existed because it’s a human trait. Now, cheap technology allows everyone to act upon it.

On the form side, I thought your style flowed more freely, less constrained than in your debut novel, On the Holloway Road. I felt you more confident in your writing and it sounded effortless. Either this book poured out of your head or you sweated on this novel but managed to make it sound effortless to the reader. Describing the events from different points of view except Jeff’s was a good idea. I loved the grandfather’s voice, he’s my favourite character, the one who keeps in touch with his values. The imposter never has a chance to explain himself and he was a multiple personality through his friends, family or lover’s eyes. He remains elusive. What do they know of his real motives, his insecurities? What do I know? What’s my picture of Jeff?

The title of this billet, I is somebody else is simply the translation of a phrase by Arthur Rimbaud, “Je est un autre”. I want to add something about what you read on this blog: I’m the real thing just a lot less shy than in flesh-and-blood life; I can’t invent a personality far away from mine, lying is too much work. Moreover, when you click on a “like” button or leave a comment, what worth would it have if I knew you were actually talking to a mirage?

I hope your book will be a success and invite other readers to discover more conventional reviews on A Virtual Love here.

All the best,


Hollow Highways Revisited

September 14, 2011 28 comments

On the Holloway Road by Andrew Blackman. 2009. 202 pages.

The curse of our generation is that everything’s been tried before. Drink, drugs, God, sex, meditation, masturbation, crystals, mushrooms, peyote, shamanism, communism, consumerism, tai chi, feng shui, kung fu, flower power and TV shopping. It’s obvious to anyone that out little road trip here is nothing more than a tired repetition of an age-old formula. But have you got any better ideas, Jack? Have you thought of something that nobody else in the world before you has thought of?

As regular readers might have noticed, I’m in a “classics revisited” mood these days. After the excellent 1280 âmes, the awful Madman Bovary and before the fantastic Wide Sargasso Sea, I read Andrew Blackman’s debut novel, On the Holloway Road. It’s an assumed adaptation of the mythic On the Road by Jack Kerouac in modern Britain. I was curious to discover what he had done with such a pitch, a slippery slope, in my opinion. As I had re-read On the Road last year and reviewed here, it was recent enough for me to see the links between the books.

Jack lives in London with his mother after his father died. He’s in his twenties or maybe early thirties and has decided to become a writer. While he struggles with his first novel, he meets Neil Black during one of his errands on the Holloway Road. They embark in his Figaro for a road trip to the extreme North of Great Britain. They have with them the audio book of On the Road, read by Matt Dillon. It’s a first person narrative, we only have Jack’s version of the events, he might be an unreliable narrator.

I’ve noticed that road trips in Britain consist in driving in the wild North. (cf The Terrible Privacy of Maxwell Sim) Jack muses: “It’s a landscape of possibilities, where for a while you feel as if you can breathe air that hasn’t recently passed through someone else’s lungs”. Does going beyond the Wall of Hadrian still symbolize something? Incidentally, I wondered what it would be in France and I couldn’t figure it out. Such road trips would be more on foot, on the way to Santiago de Compostella or in the Massif Central, with a donkey on Stevenson’s footsteps. But back to the book.

In French we say “coup de foudre” (literally “flash of lightening”) for “love at first sight”. I prefer the French expression because it can be used for many situations, including friendship and doesn’t have necessarily a romantic meaning. Jack has a “coup de foudre” for the buoyant Neil. They are like fire and ice. Neil is weird, unpredictable, prone to verbal logorrhea and incoherent theories about life and freedom. Jack is quieter, respectful of rules and principles, desperately reasonable. Jack is fascinated by Neil, their relationship is based on rather blind adoration and even if Jack is aware that it is toxic for him, he can’t walk away from Neal. He’s like a drug to him.

I got a sensation that was strange to me at the time but would soon become familiar: that Neil was doing enough living for the two of us, and there was nothing left for me to do but watch.

I wasn’t fond of Neil (I wasn’t fond of Dean either btw) but I sure felt sorry for Jack. Being myself rather shy and quiet, I understand perfectly why he’s so attracted by the extroverted Neil. Still, I wonder if there isn’t a hint of homosexuality between the two.

All along their trip, we realize that their dream of American wilderness and of carefree behaviors such as Sal and Dean’s cannot happen in today’s Britain. The environment makes it hard to break the rules. Attempts at driving wild are cut short by traffic cameras and automatic flashes. Soon Jack is afraid to lose all his points on his driving license. When Neil throws away some trash on the highway, they are quickly arrested by the police and get a fine: someone had reported it. When they want to be hired on a drill platform, they learn you need qualifications and a special security training and that two good arms and a will to work aren’t enough.

For those who haven’t read On the Road or don’t remember it, the characters of the book are Sal and Dean, respectively Jack Kerouac and Neal Cassidy in real life. When I thought about the two sets of characters, I saw butterflies. Sal and Dean are day butterflies, the colorful ones who fly playfully from one flower to another under a sunny sky. They have a vivid and joyful way to fly, as if they were enjoying their short time on Earth and trying to make the best out of it. They’re jazz, light, fun, sad, full of life. On the contrary, I saw Jack and Neil as night butterflies. They’re grey, hollow, and live in a dark world and their pool of light is made of electric bulbs. When they fly, it’s only to bump into that artificial light they take for the sun and burn their fragile wings. Their freedom is sad and limited. It’s limited by their time and by their country, the cops, the camera, the rules and the absence of vast wilderness. They’re electronic music, mechanic, repetitive and inhuman. Their goal in itself draws the difference between them. While Sal and Dean drive to the sunny California, Jack and Neil drive to the windy and cold island of Barra.

On the Holloway Road left me singing Send A Picture of Mother by Johnny Cash. It’s a sad song about a man whose friend just got liberated from prison and who knows he’s himself  in jail for life. It stayed with me as a bridge between today’s Britain and 1950s America. After all, isn’t it what this book is all about?


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