The Wrong Case by James Crumley – Classy noir
The Wrong Case by James Crumley (1975). French title: Fausse piste. Translated by Jacques Mailhos.
There’s no accounting for laws. Or the changes wrought by men and time. For nearly eight years the only way to get a divorce in our state was to have your spouse convicted of felony or caught in an act of adultery. Nor even physical abuse or insanity counted. And in the ten years since I resigned as a county deputy, I had made a good living off those antiquated divorce laws. Then the state legislature, in a flurry of activity at the close of a special session, put me out of business by civilizing those divorce laws. Now we have dissolutions of marriage by reason of irreconcilable differences. Supporters and opponents were both shocked by the unexpected action of the lawmakers, but not as shocked as I was. I spent the next two days sulking in my office, drinking and enjoying the view, considering the prospects for my suddenly very dim future. The view looked considerably better than my prospects.
My office is on the fourth floor if the Milodragovitch Building. I inherited the building from my grandfather, but most of the profits go to a management corporation, my first ex-wife, and the estate of my second ex-wife. I’m left with cheap rent and a great view. At least on those days when the east wind doesn’t inflict the pulp mill upon is or when an inversion layer doesn’t cap the Meriwether Valley like a plug in a sulfurous well, I have a great view.
This is the beginning of The Wrong Case by James Crumley, the first book featuring the PI Milo Dragovitch. We’re in Meriwether, a fictional small town in Montana, not a quaint one surrounded by ranches and trout-fishing streams but a by-product of the mining industry gone awry. We’re in the 1970s and Milo is waiting for his 35th birthday to get his hands on his trust fund. He used to work for the local police station but resigned and settled as a PI. Between the end of the adultery business and his ex-wives, money is tight.
His days are spent between the office and the local bar where he has an unofficial office in the back. His friends are Simon, who drinks with diligence and towards a slow suicide and Dick, a local teacher with whom he plays handball. Ex-Wife #1 is now married to Jamison, the Meriwether chief of police. Milo and Jamison despise each other and that makes any work relationship between the two awkward.
Milo’s life is about to get more complicated when Helen Duffy struts into his office. She’s that kind of femme fatale, the poisonous beauty that reels PIs into taking on cases they know they should stay away from. The Wrong Case is exactly that.
Milo knows that digging into the disappearance of Helen’s brother Raymond will do him no good. It quickly appears that Raymond is involved with the local crime scene. It doesn’t help that Milo lusts after Helen who has a passionate liaison with a married Dick, the friend I mentioned before.
Milo will follow the Raymond lead and it takes him to a wife abandoned when her husband discovered his homosexuality, the local mafia, the town drug trafficking and all kind of dangerous businesses that confirm that he should have stayed put.
We are in classic noir territory here and James Crumley builds a believable Meriwether, kicking the bucolic Montana image to the curb. There are drugs, criminality and misery like everywhere else. Milo is an interesting character with his ex-marriages, his loyal friendship to Simon and Dick and his imperfect father role to his children.
Crumley’s style belongs to literary crime fiction. I’m currently reading a Viveca Sten, and that’s subject-verb-complement crime fiction. Crumley is classy and poetic. Milo is a no-future kind of guy, he trudges through life, one day at a time, carrying his baggage of his father’s untimely death, his failure as a husband and a father. And yet, despite his frequent visits to the bar and his prayers to the gods of drunkenness, I liked him a lot more than Jack Taylor.
Recommended to fans of classic noir fiction. Another book published by Gallmeister.
Looks wonderful, Emma! I want to read this. Glad to know that this is literary crime fiction. Loved the passage you shared. Gallmeister continues to rock 🙂
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It’s a good book, yes. Excellent style. I had some difficulties to connect with Milodragovith at the beginning but he grew on me.
And yes, Gallmeister rocks!
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I really like the sound of this! Most of the noir I’ve read (which isn’t loads but I do enjoy it) was written earlier but this 1970s noir sounds like it follows the tradition and modernises it too.
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He’s an excellent writer. I suspect it’s even better in the original.
If you enjoy Chandler, you’ll like this one.
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Love that Gallmeister cover.
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They have great cover. They work with an illustrator who does all their covers. Their books are beautiful on top of being good.
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