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Vengeances by Philippe Djian

December 9, 2013 14 comments

Vengeances by Philippe Djian 2011. Not translated into English (yet)

Qu’avais-je à perdre? Me restait-il quoi que ce soit que je ne puisse remettre en jeu, qui vaille vraiment le coup, qui fasse réfléchir? Que préserver ? Que sauver, que garder ? La réponse était simple. What did I have to lose? Had I anything left that I could throw in the game, that was worth fighting for or that made me think twice? What to salvage, to keep? The answer was simple.

 This billet has a twin brother at Books I love and others I get stuck with. Indeed, I had this Djian on the shelf, waiting for my attention and it was available at Beirut’s book fair. So Nino and I have been reading Vengeances along.  And luck was on our side since we had the opportunity to meet and discuss it face to face. That’s the magical confederacy of book lovers. But back to the book.

Djian_vengeancesMarc is forty five, a sculptor of contemporary works. He’s supposed to live with Elizabeth but she’s currently MIO. He doesn’t know where she is and if she’ll come home. Marc’s son Alexandre committed suicide about a year ago. Then Marc’s life went astray and it drove Elizabeth away. Marc has two close friends, Anne and Michel. They’ve known each other since their youth and their lives have been intertwined since. They belonged to the same tiny ultra-left group, Marc used to be Anne’s boyfriend and Michel is Marc’s artistic agent. They are tied by emotional and financial bonds.

One day, Marc is in the metro, going home, when he rescues a young woman who vomits violently in front of him. She’s totally wasted. He takes pity on her and brings her home. She’s Gloria and she says she’s Alexandre’s girlfriend. On impulse, Marc asks her to move in with him. Gloria’s arrival will shatter what little stability remained in his life.

Gloria knew who Marc was and makes her nest among the triangle of friends and brings poison in this small circle. They had reached a balance and she spoils it. The interactions between the characters are quite interesting. Gloria flirts with Michel and awakens in him what we call in French le démon de midi (Literally, the noon devil, in other word and according to the dictionary, lust affecting a man in mid-life. Yes, we have an expression to say that in French). Anne is frustrated because Michel doesn’t pay attention to her anymore and she wouldn’t mind rekindling her former passion with Marc. Marc considers Gloria as his daughter-in-law; she’s definitely off-limit for him. His art is affected by his mourning and he doesn’t create anything good, which means Michel will soon lack of sculptures to sell. Anne and Michel don’t like Gloria; they feel the danger she represents and let’s be honest, Gloria doesn’t make a lot of effort to be agreeable. She’s impolite and venomous. She clearly takes advantage of Marc’s pain. He feels guilty about his son. They were estranged and he can’t forgive himself for not knowing him better, not noticing that things were that bad for him. So he’s always happy to gobble any piece of information she’ll throw at him. He’s that needy. Does she tell the truth? Who is she really? Marc doesn’t care to know; he’s desperate.

mainThe narrative shifts from Marc’s first person point of view to an omniscient narrator. The changes come quite often and are marked by a milestone “hand” like the one at the beginning of this paragraph. I have read more than a dozen of Djian’s novels and it’s not the first time his character is named Marc. There’s a Marc in Incidences, in the Doggy Bag series, in Assassins and certainly in others. It’s a pattern, the signature of the artist and a way to say to the readers that names don’t mean anything. Marc could be anyone, even a Philippe.

marc_philippeI find the writer is popping in his own page rather amusing, not that it’s never been done before. It reminded me of Hitchcock’s habit to appear in his films. As always, I enjoyed Djian’s sense of humour, especially when he mocks himself:

ChlorophylleLike Incidences and Impardonnables, Vengeances is a dark story. The characters aren’t likeable and a feeling of dread and doom weighs upon the book. I expected that kind of ending but I thought it fell abruptly on me. This book could have been polished a little bit. In my opinion, the characters’ ages don’t match with their life experiences. Marc and Michel are too young to have taken part in these political clandestine fights. They should have been around twenty in 1975, which means being born in 1955 or 1960 at the latest. In this case, you can’t be 45 in 2010. And the novel is set in our time. In my opinion, the ending was botched up, I felt the novel had reached the expected number of pages or that the deadline to send it to the publisher had come. Too bad.

There are recurring things in life. Every year brings a new film by Woody Allen and a new novel by Djian. I love both artists but some of their works are better than others. For me, Vengeances is not Djian at his best. Incidences and Impardonnables are better books. Even if Djian has forever turned his back to the sunny novels of his beginnings, I still recommend Echine and Maudit manège to anyone who would like to read him.

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